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Word: g-men (lookup in dictionary) (lookup stats)
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...Men Without Names (Paramount). For cinemaddicts who are not yet weary of them, this picture exhibits G-men up to their customary tricks while tracking a gang of embittered bank robbers to a small-town hideaway. Fred MacMurray is the Federal agent who arrives in town pretending to be a representative for an airline. Madge Evans is the girl reporter who regards him with suspicion. Leslie Fenton is the head crook who terrorizes the town's leading banker. Lynn Overman is the secondary G-man whose murder is the signal for the grand roundup in the deserted factory...

Author: /time Magazine | Title: Cinema: Men Without Names | 7/8/1935 | See Source »

...TIME, June 10, ''drag the boy down on the floor of the taxi." The boy rested on the cushioned seat of the taxi with Reporter Dreher on the floor. A half mile beyond the point of transfer from the farmer's Ford to the taxi, two G-men cars were parked. The reporter wished to avoid having an interview interrupted by Federal agents; hence the informal positions of the boy and the reporter. The reporter is 59 but not corpulent, weighs 128 lb. at 5 ft. 6. The boy was taken directly home, without the reporter stopping...

Author: /time Magazine | Title: Letters, Jun. 17, 1935 | 6/17/1935 | See Source »

Public Hero No. 1 (Metro-Goldwyn-Mayer). There is not much variation possible in the formula demanded by the current cycle of G-Men pictures. In this one, Scenarist Wells Root did about all he could by making the heroine (Jean Arthur) the sister of a crook rather than of a Federal detective, and by letting the audience mistake the G-Man hero for a criminal until his visit to his superior reveals that the jail break he engineered was really a trick to gain the confidence of the leader (Joseph Calleia) of the Purple Gang, who escaped...

Author: /time Magazine | Title: Cinema: The New Pictures: Jun. 17, 1935 | 6/17/1935 | See Source »

...modern and urban equivalent for the now defunct Wild West thriller, "G-Men," the terrier-like James Cagney swaggers his way through a tempestuous epic of the Department of Justice. Technical perfection and a deft, rapid-fire tempo combine to obscure the insanity of the plot, and, when public enemies sway to the stutter of government machine guns, Willie cheers just as he would if the last rustler had cashed in his chips. The philosopher may believe that "G-Men" misses fire as social drama, but he will hardly find it boring...

Author: By W. L. W., | Title: CRIMSON PLAYGOER | 6/10/1935 | See Source »

...side-by-side with most of the first ten public enemies, and that he knows where they carry their guns. It is then a comparatively simple matter to get one of Cagney's former sweethearts to squeal on her husband, and the claws of justice unflex with telling effect. "G-Men" manages to keep its sympathies on the sunny side of the law, and is thus an improvement over previous films of the gangster type. Those critics who do not find the diminutive James attractive will rejoice to learn that, after being pursued as usual by an incredible number...

Author: By W. L. W., | Title: CRIMSON PLAYGOER | 6/10/1935 | See Source »

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