Word: g
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Dates: during 1930-1939
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Edward H. Addelson '39, Charles D. Aldrich '40, Graham G. Alverd (37 ocC, Wayne F. Anderson '41, Dion J. J. Archon '40, Edmund W. Banas '39, James M. Banghart '40, Bernard Barber '39, Clarence H. Barber '40, Abraham N. Barger '39, Harry E. von Bergen '41, Edward A. Bergstrom '39, Christoph F. W. Berliner '40, Melvin B. Black '40, Howard L. Blackwell Jr. '39, Norman D. Blotner '40, Coleridge A. Braithwaite '39, Norman H. Brisson '39, Sidney I. Brodie '40, Harold James Etmekjian '39, Murray F. Foss '40, Melvin H. Freedman '41, Pasquale F. Frisoli '40, William R. Frye...
Wendell N. Calkins '39, of Wakefield, Robert L. Calvert '39, Daniel Chansks '39, Maurice S. Cohen '41, Arnold G. Cook '40. John "R. Cooke '40. Charles H. Coombs Jr. '40, Nicholas J. Cotsonas Jr. '40, Thomas E. Cotter Jr. '40, John B. Crimmins '41, Carlyle Croning '39. Franklin N. Cunningham '41, Sammel R. D'Amice '39, Jacob R. Daua '40, Hamilton Q. Dearborn '39. Leonidas H. Demeter '39. Martin J. Dempsey '41, Joseph P. Driscoll '41, Louis J. Dunham...
James C. Eaton '39. Lawrence F. Ebb '39. Barold N. Edinberg '39, John E. Eldridge '41, Stanley M. Epstein '39, ert B. Maye '40, Euripides L. Metaxas '39, paul A. Moylan '40, James P. O'Donnell '39, Charles Packard '39, Sumner A. Pendleton '39, Enrico A. Pepe '40, Chris G. Petrow '41, Melvin Pollard '41, Jack D. Porter '40, Robert K. Presson '39, George Quint...
...cause of this amazing, nationwide panic last Sunday night was a broadcast by Orson Welles's CBS Mercury Theatre of the Air of The War of the Worlds by H. G. Wells (no relative). Author Wells's classic pseudo-scientific thriller about how the men from Mars invade earth in a flying cylinder (at first thought to be a meteorite) was first published in 1898. That its broadcast on Halloween Eve 1938, caused something pretty close to national hysteria was not entirely due to the timelessness of the Wells story, the persuasive microphone technique of Orson ("The Shadow...
Said Bogeyman Welles: ''Far from expecting the radio audience to take the program as fact rather than as a fictional presentation, we feared that the classic H. G. Wells fantasy . . . might appear too old-fashioned for modern consumption...