Word: g
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Dates: during 2010-2019
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Daniel T. Speckhard, Athens, Greece and Michael G. Dinunzio, New York...
...Michael G. Dinunzio: People here dance pretty dirty. I was not expecting that. Especially at Jollies...
...important in how you initially visually perceive a production,” says Beth G. Shields ’10, “because it is the fixed thing in the show. As the action, the story, and the time change, the set can really guide the audience through the atmosphere the way that the dialogue guides you through the literal events of the story...
...some design in high school on a very small scale,” he explains, “but I never had any formal lessons. During my freshman spring I just started assisting on all kinds of shows and learned that way.” But according to Beth G. Shields ’10, former president of the Harvard-Radcliffe Dramatic Club (and Zellmann-Rohrer’s girlfriend), Zellmann-Rohrer’s knack for lighting design has never been hindered by a lack of formal training. “Michael possesses a phenomenal talent as a designer...
...front of a flat, black backdrop. It is only once they venture into the woods that the characters’ paths begin to cross and the familiar stories become complicated. The stage, too, becomes more elaborate, as the backdrop is lifted to reveal the set, stunningly designed by Beth G. Shields ’10. The trees are stylized to appear textured, ancient, and gnarled, appropriately evoking the atmosphere of a supernatural forest. Reddout, in her direction, makes excellent use of this space. One tree doubles as Rapunzel’s tower; another becomes a vehicle for a benevolent apparition...