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Written a hundred years ago by a young German revolutionary while the police were patrolling his house, Danton's Death has somehow struck the fancy of modern revolutionaries in the theatre, was produced in German in Manhattan by Max Reinhardt in 1927. It reveals the "moderate" Danton (Martin Gabel), weary of bloodshed, broken in purpose, fallen in power, propelled toward the guillotine through the fanatical ardor of Robespierre (Vladimir Sokoloff), the Incorruptible. After the knife has fallen, Robespierre's man Friday, Saint-Just (Orson Welles), defends the rigors of revolution in a speech of flame...

Author: /time Magazine | Title: The Theatre: New Plays in Manhattan: Nov. 14, 1938 | 11/14/1938 | See Source »

...belted military tunic, sleek modern breeches. Dark-shirted followers saluted him with uplifted right arms, sharp hails. Lights more benign singled out contemplative, poet-haired Brutus (Orson Welles), a reluctant, calmly-reasoning conspirator-an introspective idealist in a blue serge suit. No lean and hungry Cassius was Actor Martin Gabel, but a hunched, spleeny agitator, surrounded by grim adherents in modern mufti, slouch hats pluck'd about their ears...

Author: /time Magazine | Title: Theatre: New Plays in Manhattan: Nov. 22, 1937 | 11/22/1937 | See Source »

HARVARD CHICAGO Frankel 118-pound Louis Klein 126-pound Bernstein Gilbert 135-pound Dooley Crandon 145-pound Howard Goddard 155-pound Heide Keyser 165-pound Horn Ames 175-pound Shapiro Barrows Heavyweight Gabel...

Author: NO WRITER ATTRIBUTED | Title: GRAPPLERS TO TACKLE STRONG CHICAGO TEAM | 2/12/1932 | See Source »

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