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...Free French regime, original arrangements for a discussion restricted to members of the College France Forever unit have been expanded to include a larger audience and movies in tonight's program. In addition a special showing will be presented next Wednesday of "Iis Etaient Cinq" with Jean Gabin, and the proceeds of this performance will go to buy a second ambulance for the American Field Service serving in Egypt...

Author: NO WRITER ATTRIBUTED | Title: DE GAULLE'S AIDE TO TALK HERE TONIGHT | 5/11/1942 | See Source »

...rights, the film should just be a dated straggler on the U. S. screen. Yet Director Julien Duvivier's camera has caught such an accurate X-ray of a tortured mind, it deserves a gold star on any list. Pépé (Jean Gabin) is a jaunty Parisian jewel thief driven to bay in the Casbah, filthy, crowded native quarter of Algiers. There, like a stallion in a pasture of geldings, he rules the thieves and cutthroats, lives with a devoted but depressing native girl (Line Noro), dreams of the bright life of Paris. The decay...

Author: /time Magazine | Title: Cinema, Also Showing Mar. 10, 1941 | 3/10/1941 | See Source »

...more modern illusion lies bloody in the dust. Oh, joy, hear the cannibals gibber! To paraphrase: Jean Gabin has made, not a mediocre picture, not a bad one, but one that is simply stinking, divinely so, my dear...

Author: NO WRITER ATTRIBUTED | Title: THE MOVIEGOER | 12/14/1940 | See Source »

French pictures are noted for their delicate handling of humor, leavened in with even the most pathetic tragedy. No smiles lurk here; only lines and lines of dead or grim Canadiens. French pictures, and those of Jean Gabin in particular, are almost unique in their unaffected and moving treatment of sorrow. No sorrow lingers here. The acting is ham-ish, and the story laughably obvious...

Author: NO WRITER ATTRIBUTED | Title: THE MOVIEGOER | 12/14/1940 | See Source »

Daybreak (French) is built on a dramatic foundation often tried and usually untrue: the device of discovering a character in a narrow corner, where he sits obligingly remembering his story for the camera. The story that passes before the blank eyes of François (Jean Gabin) in his garret room, as the police stand waiting for him on the street beneath, is strange and more worth remembering than most...

Author: /time Magazine | Title: Cinema: The New Pictures: Aug. 19, 1940 | 8/19/1940 | See Source »

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