Word: gablers
(lookup in dictionary)
(lookup stats)
Dates: during 1970-1979
Sort By: most recent first
(reverse)
...Ensemble at 8 The Furies of Mother Jones--People Theater Jubalay--Theatre by the Sea at 8:30 My Mother...My Son--Boston Rep at 8:08 Rosmersholm--Trinity Square at 8 The Indian Wants the Bronx--Charles Playhouse at 8 Lost Cookies--Eliot Dining Hall at 8 Hedda Gabler--Winthrop JCR at 8 A Thousand Clowns--Leverett Old Library at 8 p.m. Nosh--Laurie Theater, Brandies, at 8:30 p.m. The Tempest--Quincy Dining Hall at 8:15 Rosencrantz & Guildenstern Are Dead--Charles Street Meetinghouse...
...Gondoliers--8:00 Next Move Revue--Next Move at 8 The Caretaker--Lyric at 8 Puntila and Matti--8:00 Mother Jones Jubalay--8:30 My Mother...My Son--8:08 Rosmersholm--8:00 Indian--8:00 Lost Cookies--Eliot Dining Hall at 8 Hedda Gabler--Winthrop JCR at 8 p.m. A Thousand Clowns--Leverett Old Library at 8 p.m. Comelot--Belmont Dramatic Club at 8 p.m. Nosh--Laurie Theater, Brandies, at 8:30 p.m. The Tempest--8:15 Rosencrantz & Guildenstern Are Dead--8:00 Scenes from The Comedy of Errors--Loeb...
...Emma7:00 and 10:00 The Caretaker--5 and 8:30 Puntila and Matti--8:00 Mother Jones Jubalay--5 and 9:00 My Mother...My Son--6:30 and 9:30 Rosmersholm--8:00 Indian--7:30 and 9:30 Lost Cookies--Eliot Dining Hall at 8 Hedda Gabler--Winthrop JCR at 8 A Thousand Clowns--Leverett Old Library at 8 and 11:15 Scenes from the Comedy of Errors--Loeb Ex at 2 p.m. and 7:30 p.m. Camelot--Belmont Dramatic Club at 8 p.m. Noah--Laurie Theater, Brandies, at 8:30 p.m. The Tempest--8:15 Rosencrantz...
...affair with his stepmother, mentions Phaedre, Auchincloss is unsubtly and rather stupidly warning the reader that the plot's next twist is unoriginal; footnotes are admirable in a scholarly essay but they don't blend well into the dialogue of a novel. And if the references to Hedda Gabler are supposed to fill vacuums in Elesine's character with delicate but complex psychological motives, Auchincloss is either flattering himself or insulting the reader. As Auchincloss he is really quite admirable. As Ibsen or as Racine, he is, however, disappointing...
Last year's Royal Shakespeare Company production of Hedda Gabler has been transferred to the screen for reasons that remain mysterious. This is stolid, stilted Ibsen performed by a gallery of waxworks. The movie preserves Glenda Jackson's Hedda for posterity. Posterity has no choice but to accept -but it does not have to be kind...