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...dramatic school. Aged 26, she made her U. S. debut after a European tour with Paul Orleneff's Russian company. A year later the Brothers Shubert contracted with her to play in English; she learned the language in six months, appeared in Manhattan in Ibsen's Hedda Gabler. So successful was she that the Shuberts built her the Nazimova Theatre (now the 39th Street Theatre). With Lionel Atwill as leading man, she toured the country playing Ibsen. For several years she acted in Metro cinemas, following the vampire tradition established by Theda Bara, Louise Glaum, et al. Metro...

Author: /time Magazine | Title: Theatre: New Plays in Manhattan: Mar. 31, 1930 | 3/31/1930 | See Source »

...Besides the list above, Civic Repertory bills have included: La Locandiera (Goldoni); The Master Builder, Hedda Gabler, John Gabriel Borkman (Ibsen); Twelfth Night (Shakespeare); The Three Sisters, The Cherry Orchard (Tchekov); L'Invitation au Voyage (Bernard); A Sunny Morning, The Lady from Alfaqueque (the Quinteros...

Author: /time Magazine | Title: The Theatre: Civic Virtue | 11/25/1929 | See Source »

...marked by the presentation of a great number of dull modern plays, theatre-goers have not been allowed to forget Ibsen's searching studies. Her selection of this strange, borderland work is not altogether fortunate. It is not so easy of interpretation as The Wild Duck and Hedda Gabler, her other offerings, nor is its principal character so suited to Miss Yurka...

Author: /time Magazine | Title: The Theatre: New Plays in Manhattan: Apr. 1, 1929 | 4/1/1929 | See Source »

Last week in Manhattan, two seasoned actresses undertook Hedda Gabler, in different theatres, simultaneously. Admirers of the two ladies, as well as Hedda's friends, sped back and forth, uptown and downtown, to compare and contrast the performances of Actresses Eva Le Galliénne and Blanche Yurka. It was unfortunate and misleading, for the Misses Le Galliénne and Yurka have scarcely anything except their sex and profession in common. But between them they allowed the coincidence to happen and, with the public still craving Ibscenities as an aftermath of last year's Ibscentennial, comparisons...

Author: /time Magazine | Title: The Theatre: Two Heddas | 2/18/1929 | See Source »

Blanche Yurka is tall, almost burly. As the placid wife of improvidential Hjalmar Ekdal in The Wild Duck she filled an ample role to which her body, her accomplishments and her God better suit her than the tense thing to which she has tried to suit herself in Hedda Gabler. She gives a certain effect of languor, but it is the languor, not of a bitter neurotic, but of a temporarily awakened marble slowly reverting to stone...

Author: /time Magazine | Title: The Theatre: Two Heddas | 2/18/1929 | See Source »

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