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...recovered from obscurity in warehouses where they had languished unseen since before World War II. Versailles, Fontainebleau, the Museum of Decorative Arts and the Museum of Ceramics at Sevres surrendered their treasures. Bequests given long ago to the state on condition that they be shown intact -- the collections of Gachet, Chauchard, Kaganovitch, Personnaz and others -- were also folded into Orsay. In all, the museum's holdings comprise 2,300 paintings and 250 pastels, 1,500 sculptures, 1,100 miscellaneous art objects from furniture to enamel plaquettes, 13,000 photographs (a collection built from scratch in the past eight years...

Author: /time Magazine | Title: Art: Out of a Grand Ruin, a Great Museum | 12/8/1986 | See Source »

...Gogh or Seurat before World War II. Again it was French collectors, and in one case an American, who came to the rescue. U.S. Collector John Quinn (one of the organizers of Manhattan's famed 1913 Armory Show) gave the Louvre its one major Seurat, The Circus. Paul Gachet, son of the Dr. Gachet who took care of Van Gogh in his last months, since 1946 has given the Louvre eight Van Goghs, half the total now in the Louvre, plus seven Cézannes...

Author: /time Magazine | Title: Art: Masterpieces of the Louvre: Part II | 7/7/1958 | See Source »

...pictures. Was one of them the candlelit, unfinished self-portrait in the collection of Cinemagnate William Goetz? The artist's nephew and Amsterdam Museum Director Jonkheer WJ.H.B. Sandberg thought not (TIME, June 6). On the other hand, Van Gogh Experts Jacob Bart de la Faille and Paul Gachet thought it was. To settle the matter, Manhattan's Metropolitan Museum, which had on display the most comprehensive Van Gogh exhibition ever seen in the U.S., picked a jury of American experts: Museum Men Alfred Barr Jr., James Plaut, George Stout and Sheldon Keck...

Author: /time Magazine | Title: Art: Fake? | 12/12/1949 | See Source »

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