Word: gael
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Sokolov, like many of the top critics from his generation, suffers from "back in the day"-itis. "Nobody [is] ever going to be as influential as the Times critics of the '60s and '70s," he says. (New York's Gael Greene can be counted upon to say the same thing whenever asked.) But the kind of influence the Times had in the '70s was hardly worth having. A few thousand urban mandarins depended on its reviews, and proceeded to agree or disagree. Restaurants didn't matter in the culture the way they do now. Ordinary Americans west of the Hudson...
...introduction of Jennifer Lawrence as Mariana, a teen whose mother’s affair forces her to grow up too fast. Lawrence has already received the Marcello Mastroianni Award for emerging actors at the Venice Film Festival—an honor previously given to fellow Arriaga actor Gael García Bernal—which her bracing performance richly deserves. Although uniformly believable, the remaining cast does not reach Theron’s or Lawrence’s level. As the guilty mother, Kim Basinger is so shakingly fragile that she comes dangerously close to over-acting, which is frustrating...
...market for instruments worth less than $100,000 has indeed weakened somewhat, agrees Gael Francais, a violin maker and dealer based in New York City whose family has been in the violin-making business since the 18th century. Francais and Margolis say the recession has limited the capital available to musicians shopping for tools of their trade. (Watch Jeremy Caplan's duet with...
...wealthy target, American, aka the Man (Bill Murray, who starred in Jarmusch's lovely Broken Flowers), he encounters a cast of characters who trade boxes of matches with him and pass on more tidbits of instruction along with commentary on art and culture. There's Guitar (John Hurt), Mexican (Gael Garcia Bernal) and the most helpful of all, Blonde (Tilda Swinton), who is a fan of Jarmusch-style cinema. "The best films are like dreams you're never really sure you've had," she tells him. (See the top 10 movie performances...
...Nude's nudity, is now admiring her admirable breasts. Her third scene includes some wardrobe, namely a clear plastic raincoat, which has to be meaningful. Finally, she puts on a fuzzy sweater, but still no pants, which tends to draw the eye downward. Being an optimist, I prepared for Gael Garcia Bernal's pantless scene, but no go. By the end of Nude's screen time, Emperor Jarmusch himself seems a lot less cool, like maybe just an arty guy, with a fantastic eye, but some limits to his control...