Word: gael
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...directing a full-length film, a tale of fortunes won and lost in the world of Mexican soccer. In “Y tu mamá también,” Carlos Cuarón’s screenplay paired two sexually-charged teenagers—played by Gael García Bernal and Diego Luna—on a road-trip through Mexico alongside a more mature female companion from Spain. Eight years later, “Rudo y Cursi” reunites Luna, as goalie Beto, and García Bernal, as striker Tato, in a tragicomic...
...grump blossom.' GAEL MURPHY, one of the Code Pink activists, making light of Frank's threats to eject the group from the proceedings for their "silliness...
...seeing-impaired musical. But something similar, and potentially worse, happens: they all begin to whistle along. This ironically cheerful moment is abruptly severed, as the various wards form mock governments. The self-proclaimed “King of the Third Ward,” played by Gael Garcia Bernal, claims that he will only distribute food in exchange for women. In ridiculously cheesy “I am Spartacus!” fashion, the women of the ward all decide to prostitute themselves to save themselves from starvation. As a bright and jolly tune plays while the blind sex-fest...
...movie churned with life and death, with vivid characters who fought back against the charnel chaos. The people in Blindness are mostly passive, even the sighted wife, who has an advantage she declines to use while her new friends are humiliated and starved. The leader of the bad guys (Gael Garcia Bernal) dominates because he has a gun, which she could take from him at any time.) Yet she allows the women in her ward, and herself, to be sexually abused by the miscreants rather than take control, as any Hollywood heroine would do. She sees her role...
...Leguizamo and De la Reguera are the film's only Hollywood stars, and they deliver stellar supporting performances. But Brand gets superb portrayals from his Colombian leads: Angelica Blandon as the teen sexpot Reina; and Aldemar Correa, whom Brand calls "the next Gael Garcia Bernal," as her bewildered boyfriend Marlon. Blandon and Correa, who were discovered in Medellin's theater scene, play lower-middle-class kids driven less by economic straits than by a gratuitous belief that even the worst of the U.S. is preferable to the best their own country can give them. Sitting in a dank, cubicle-size...