Word: gaetano
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...perched on a 16-in.-wide platform. To capture the magnitude of the Lexington, he was taken in a small boat across the bow of the mighty ship so that he could shoot up at the great gray mass, a view akin to the cover painting by Artist Nicholas Gaetano...
...that cannot blink. His work belongs in the context of photorealist painting, but it incorporates more illusions than painting can. The great period for waxworks was the 17th to 18th century, when the favorite court artist of the next-to-last Medici, Cosimo III, was a Sicilian named Gaetano Zumbo, whose fiendishly detailed wax tableaux of plague-rotted bodies are still preserved in Florence. Hanson's proles, drunks, junkies and bulgy housewives do not reek of mortality like that, but they have a quotidian sourness about them, and their smell of perplexed defeat is as alluring to the sentimentalist...
...carefully programmed knockabout farce, The Ritz has been adapted with only slight modification from Terrence McNally's Broadway hit. The insanity centers around a small-time Italian businessman named Gaetano Proclo (Jack Weston). On the run from a mobster brother-in-law, Gaetano lies low in what he considers a suitably obscure hideout. The place even has a reassuringly classy name-the Ritz. Gaetano is from Cleveland, so he can be forgiven his naiveté about the Manhattan demimonde. He suspects all is not well, however, when the Ritz turns out to be an elaborate bathhouse patronized exclusively...
Visions of Glory. Like any formal bedroom comedy, The Ritz skims along on a plot that defies both good sense and synopsis. At no point is Gaetano's life or manhood entirely safe, and in battling to preserve both, he stumbles across deranged characters like Googie Gomez (Rita Moreno), a busted-down Puerto Rican entertainer with visions of Broadway glory. So far, success has kept well ahead of her. Googie's problem, mainly, is her accent, which is thick enough to weigh on a scale. In her lust for fame and fortune, Googie mistakes Gaetano...
...never be sure of anyone at the Ritz-not Carmine Vespucci (Jerry Stiller), the homicidal brother-in-law, not even Vivian Proclo (Kaye Ballard), Gaetano's hysterical wife-but there is one thing certain: despite stiff competition from a very funny Jack Weston, Rita Moreno runs off with the movie, stashed under Googie's unconvincing wig. It is a combustible comic performance...