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Word: gag (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

...situation has been worked out as elegantly as a chess problem: opening gam bit, queen's sacrifice, knight rooked, mate. The same game, more or less, was played in Pillow Talk, an amusing and lucrative farce turned out in 1959 by the same scriptwriter, Stanley Shapiro, a onetime gag writer for Fred Allen who is now one of the sharpest word boys in the movie business. But this time the interiors are even more giltily decorative, the fashions more spectacularly inconsequintial, the colors more hormone-creamy, the lines more jerky-smirky ("A kiss is like lighting a stove...

Author: /time Magazine | Title: Cinema: Pillow Replumped | 2/16/1962 | See Source »

...Belle Américaine. A running gag about U.S. automobiles that sometimes stalls but usually crowds the speed limit; written, directed and acted by Robert (La Plume de Ma Tante) Dhéry, a French comedian who is rapidly emerging as a sort of tatty Tati...

Author: /time Magazine | Title: Cinema: Feb. 16, 1962 | 2/16/1962 | See Source »

...Belle Americaine. A running gag about U.S. automobiles that sometimes stalls but usually crowds the speed limit; written, directed and acted by Robert (La Plume de Ma Tante) Dhery, a French comedian who is rapidly emerging as a sort of tatty Tati...

Author: /time Magazine | Title: Cinema: Jan. 19, 1962 | 1/19/1962 | See Source »

...title is Dhéry's first gag. La Belle Américaine is not a dame but an automobile: a custom-built 1958 Olds convertible complete with bar, refrigerator, automatic everything and six blast-your-eyes-out headlights. This insolent chariot is sold to Hero Dhéry, a boob in the tube works, for the preposterous price of $100. Reason: the owner in his will bequeathed the price of the car to his mistress, but authorized his wife to make the sale...

Author: /time Magazine | Title: Cinema: Get-a-Horse Laugh | 1/5/1962 | See Source »

...sense, Gleason's sudden achievements should not be as surprising as they seem. For unlike such masters of the oneline gag as Bob Hope and Mort Sahl, he bases his humor on the creation of comic characters-most of them acted by himself. And as the late James Thurber liked to remark, such comedy may be amusing, but it is also serious commentary on human life. "Gleason has gorgeous creative juices," says Requiem's Producer David Susskind with purple accuracy. "He is a thundering talent-the kind of raw, brilliant talent that has gone out of style, with...

Author: /time Magazine | Title: Movies: The Big Hustler Jackie Gleason | 12/29/1961 | See Source »

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