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...most matters, the two bills are closer together. Both would make it easier to prosecute rape and tougher to impose gag orders on the press. Sex discrimination, like race discrimination, would become a crime. To come even this far has required much work: the hearing transcripts run for almost 20,000 pages. Supporters of the reform effort concede that a new code will not cure the nation's crime problems, but they are determined to complete the task. Another failure would mean starting all over again next year, and right now fatigue among the bills' backers...

Author: /time Magazine | Title: Law: Making the Crimes Fit the Times | 4/28/1980 | See Source »

...bearing legends like "Happiness is a cool reactor" and "Hell no, we won't glow" that are selling well. Joyce Yinger has an even bigger stock of nuclear memorabilia. In addition to T shirts, she has ceramic lamps shaped like cooling towers, T.M.I. belt buckles, and even a gag T.M.I. vasectomy kit. "Business was just great last summer," she said. "It'll pick up again when the tourists start coming." And once the weather starts to clear, visitors should be descending upon the area, if what happened last year is any indication. They will stare at the power...

Author: /time Magazine | Title: Energy: Legacy off Three Mile Island | 3/24/1980 | See Source »

This point is brought home in a series of scenes built around the timeless farcical device of mistaken identity. For the gag to work repeatedly, the audience must believe that Chance is so completely blank that he could indeed seem to be all things to all the people he meets. Peter Sellers' meticulously controlled performance brings off this seemingly impossible task; as he proved in Lolita, he is a master at adapting the surreal characters of modern fiction to the naturalistic demands of movies. His Chance is sexless, affectless and guileless to a fault. His face shows no emotion...

Author: /time Magazine | Title: Cinema: Gravity Defied | 1/14/1980 | See Source »

...Spielberg to employ so large a percentage of the Screen Actors Guild, the huge cast almost immobilizes the movie. It takes too long to establish who everyone is and to knit all the plot strands together. Even though the film is relentlessly busy - there seems to be a physical gag in every shot - it has little of the director's usual narrative drive. The movie's story does not so much move forward as gradually selfdestruct. At times 1941 drags to a com- plete and stultifying halt: a lengthy dancehall brawl, conceived along the lines of a massive...

Author: /time Magazine | Title: Cinema: Bombs Bursting in Air | 12/24/1979 | See Source »

Like Laurel and Hardy (to invoke just two other great names), this team specializes in a comedy of severely limited means. There is basically only one gag: the Coyote thinks up ever more elaborate schemes to fell the bird that never wert, and the attempts always backfire. But what makes old Wile E. an immortal figure is what is known in the trade as "character animation"-those marvelously rendered expressions of confidence, cunning, determination, frustration and panic as he finds either the huge rock falling on him or himself falling off the cliff, while the bird scoots off across...

Author: /time Magazine | Title: Cinema: Magnificent Obsessives | 10/22/1979 | See Source »

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