Word: gagged
(lookup in dictionary)
(lookup stats)
Dates: all
Sort By: most recent first
(reverse)
...entire world turned into a bleak desert of melancholy, Neil Simon would be an oasis of laughter. His eye for the wryly amusing incongruities of life, his zingy one-line gag-ripostes, his ardently skilled desire to be entertaining-all these have made him the leading U.S. comic playwright for more than a decade. But like the clown with the yen to play Hamlet, Simon has had the urge, and been critically urged, to try his hand at more serious drama. The result is The Gingerbread Lady, a schizoid play in which the dramatist is so busy applying plasters...
...also has a house lyricist, Garry Wells, a sometime Laugh-In writer, who crafts promotion slogans and monthly gag tapes taken by many stations. Usually identifying themselves as "The Fun One" in their towns, these subscribers broadcast intermittent programming spoofs ("Notre Dame 20, William and Mary 6 each") and sappy little one-liners ("I know my wife is trying to poison me−she wants me to eat at home...
...very funny. Trash, the first Andy Warhol factory film to be distributed commercially nationwide, is the story of a heroin addict (Joe Dallesandro) who is constantly on the verge of O. D.-ing. Perhaps this does not seem humorous in itself, but, for good measure, there is a running gag about Joe's smack-induced impotency. Paul Morrissey (who wrote, directed and photographed this epic) has structured his film around the gag; Trash is a series of boy-meets-girl-but-can't-get-it-up episodes, each one weirder than the next...
...occasion, Director Carl Reiner offers an ingenious sight gag, and the energy of his cast is never allowed below the manic level, producing some legitimate, if frantic laughter. It was not for nothing that Reiner was the greatest second banana in TV history; it was for next to nothing. His film is but a single joke, and the punch line is the commonplace twelve-letter obscenity...
...decades later, with a change in architectural belief. Obsessed with the idea that everything in G and S has to be funny, they have transformed a soprano showpiece into a mindless burlesque. Barbara Menaker, as Mabel, goes along with the gag, and gives an adequate but useless performance...