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...first problem of execution is its clumsy, slapstick portrayal of the German and Allied troops. The movie goes with the Hogan's Heroes school of soldiers for both sides of the conflict. The Germans have names like Hamburger and, as in the latest Gillette ad, go through the old gag in which the commander laughs at the subordinate's joke, stops laughing, and then glares while the subordinate gulps. At one point a young lieutenant with a stubby mustache comes running in shouting something about Mein Kampf, and is told. "Later, Adolph, later...

Author: By Parker Donham, | Title: King of Hearts | 10/16/1967 | See Source »

Like Jane & Cheetah. Next night in Milwaukee, 2,823 Republicans jammed into the Municipal Arena for another $100-a-plate affair, while several thousand more paid $5 apiece to listen from the balcony. Reagan, who may have been raiding Bob Hope's gag file, started off with a string of japes: "We have some hippies in California. For those of you who don't know what a hippie is, he's a fellow who has hair like Tarzan, who walks like Jane, and who smells like Cheetah...

Author: /time Magazine | Title: Republicans: Reagan's Road Show | 10/13/1967 | See Source »

...recording of Orton's favorite song, the Beatles' A Day in the Life. Playwright Harold Pinter read a few lines of poetry and Actor Donald Pleasence delivered an ode he composed himself-a reminder that in his plays Joe Orton had treated death as a grisly gag...

Author: /time Magazine | Title: Britain: Death of a Playwright | 9/15/1967 | See Source »

JENNERSTOWN, PA., Mountain Playhouse. Never Too Late is a one-gag show that takes off when a middle-aged wife tells her very middle-aged husband that they are to have another child. Papa-to-be protests: "When he gets out of college, I'll be going on 83-if he's smart." Sept...

Author: /time Magazine | Title: Television, Theater, Cinema, Books: Aug. 25, 1967 | 8/25/1967 | See Source »

...rate the title song represents the new Beatles, the Beatles who have utter control over their audience, who can make them cheer, laugh at an unseen sight gag, and, best of all, shut up. "You're such a lovely audience, we'd like to take you home with us," sing the Beatles in one of the most obvious ironies of the album. Clearly they're thinking just the opposite, and have been for years. The song is a renunciation of their whole crowd-pleasing past, just as it is the realization of the artist's dream of total power over...

Author: By Billy Shears, | Title: Sgt. Pepper's One and Only | 8/22/1967 | See Source »

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