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Word: gaggingly (lookup in dictionary) (lookup stats)
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...Lenin as saying that the "best way to communize any country is to socialize its medical profession," and then implied that Pepper was a Leninist for supporting the Administration's national health-insurance bill. Smathers' supporters carried dislike of their opponent to the dining table, where the gag was to say "Please pass the black salt...

Author: /time Magazine | Title: POLITICAL NOTES: Feud in the Palmettos | 4/3/1950 | See Source »

...advertisers, who generally get blamed for low entertainment standards, seemed more worried than the TV executives about program quality. Said Kraft Foods' Advertising Manager John McLaughlin: "I have heard [TV] defined as movies twelve years old for an audience twelve years old . . . That is not a funny gag and we know it is not a fair definition of television. It is our job to see that it never becomes an accurate...

Author: /time Magazine | Title: Radio: Anything's Better Than Nothing | 3/20/1950 | See Source »

Tenor Melchior promptly quit and wound up his 24 years at the Met with a switch on the oldest gag in opera: "If I don't miss the swan boat in Lohengrin Thursday night, it will be my goodbye to the Metropolitan . . ." After the performance he said, "Not only as Lohengrin but as Lauritz Melchior, I have sung my swan song . . ." His fans gave him a warm ovation and tearful dressing-room farewells...

Author: /time Magazine | Title: Music: Bing, Bing, Bing | 2/13/1950 | See Source »

Died. Sidney Arthur ("Sid") Field, 45, bulb-nosed British comic who soared to fame in wartime revues (Strike a New Note, Strike It Again); in Richmond, Surrey. Disdaining the fast gag, Field mixed the pathetic and the preposterous into an art reminiscent of Chaplin's, but with a slapdash gusto...

Author: /time Magazine | Title: Milestones, Feb. 13, 1950 | 2/13/1950 | See Source »

...play has some funny lines, but not many; and some nice performances, especially Dauphin's. The outstanding thing about it is its phenomenal memory: it exploits every type of gag, farce twist or comedy situation that ever made good in the past. It is one more of the Rodgers & Hammerstein-produced hits (John Loves Mary, Happy Birthday) that give the obvious and the mediocre a finishing-school education, and that hug a safe, tried formula on the theory of nothing venture, nothing lose...

Author: /time Magazine | Title: The Theater: New Play in Manhattan, Feb. 6, 1950 | 2/6/1950 | See Source »

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