Word: gaggingly
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...skits/songs fall into the lattermost category, and most of the other tracks occupy the second. While there are a couple of exceptions, including an entertaining but overly long midget referee sketch, the trouble with the skits is that Sandler believes there's no such thing as carrying a gag too far, even if it means maiming the characters. Five of the album's seven weirdos/perverts end up arrested, beaten or dead (don't worry; the midget remains untouched). Still, hardcore Sandler fans worried that The Wedding Singer and Big Daddy signaled the end of his outrageous ribaldry should have...
...movie will be incoherent, choppy and spotty. Like Runaway Bride. Not only wasn't it as good as Pretty Woman, it rivaled The Haunting for the I-want-my-money-back award of the summer. Even five screenwriters couldn't come up with a decent joke--the only good gag was so contrived that a FedEx truck had to appear out of nowhere for the damn thing to work. And poor Julia Roberts and Richard Gere. In Pretty Woman, they both clicked so perfectly--man meets hooker, man falls in love with hooker, hooker becomes princess. In Runaway Bride...
...wasn't so long ago that politicians talked at us incessantly. They were scolds, know-it-alls, flatterers, braggarts, blowhards, loudmouths, balloon-juice merchants--choose your epithet. They were in love with the sound of their own voice. They wouldn't shut up. You could gag them with terry cloth, wrap them in cellophane, dump them in the Mariana Trench--you could plug your ears with a Walkman and crank up a Def Leppard CD to 10--and still you'd hear the little tinny yap-yap of some office seeker promising cleaner streets, safer subways, cavity-free teeth. There...
...helping invent the film's visual effects, which most prominently include the gigantic mechanical tarantula with which Loveless hopes to induce a post-Civil War U.S. to surrender its sovereignty to him. But like men in frocks or the doctor's steam-driven wheelchair, it is just a sight gag--a one-shot deal out of which you cannot build intricately sustained comedy. The movie is loaded with this junk, but it has no authentic momentum or satirical viewpoint--and is finally lost to its own desperate, unavailing search for a laugh...
Most R-rated films get that tag for lurid violence and language. If there's a bosom on display, it's usually either as a gag (the prosthetic dugs in There's Something About Mary) or a lure to humiliation (in next week's American Pie) or as power-play kink (in Summer of Sam). Nothing erotic--just the use of flesh as a tool of degradation. In the typical movie, sex is violence...