Word: gainsboroughs
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Sonja Henie herself owned a Gainsborough and a Renoir before she married Onstad, but to her own surprise she quickly caught her husband's enthusiasm for more contemporary art. Since their marriage, the collection has more than doubled, and almost all of the new acquisitions have been abstract. "At first, I guess it was a kind of sport," says Sonja of her purchases. "Just to tease my husband. Very soon it became something more. I became fascinated by the abstract things and felt I understood their meaning...
Only last March, Gainsborough...
English portraits of the 18th century were once among the bluest of blue chips in the art market. In 1921, U.S. Railroad Heir Henry E. Huntington plunked down better than $500,000 for Thomas Gainsborough's Blue Boy, setting the record for English canvases. Hundreds of other rich Americans were supplying themselves with high-priced ancestral portraits from England at about the same time. But the fashion waned and almost disappeared until last week, when Gainsborough's Mr. and Mrs. Robert Andrews fetched a fat $364,000 at auction in London...
...tried to sell it to an honest Florence art dealer. Three centuries earlier, the Duke of Modena became so enraptured with Correggio's Virgin with St. Magdalen and St. Lucy that he had it stolen from the church of Albinea, and it has never been found. In 1876, Gainsborough's portrait of Georgiana, Duchess of Devonshire vanished from the sales rooms of London's famed art dealers Agnew & Co., was returned for reward 25 years later by a onetime Chicago gambler. Even the Toronto Art Gallery has had its share of thefts. A small Rouault (The Surgeon...
...lead mines) presented the new gallery with 22 Krieghoffs; the estate of the late Sir James Dunn (steel and iron ore) added three Sickerts and Dali's huge Santiago El Grande, whose rearing horse dominates the picture-window gallery. Beaverbrook's favorite ("because I like it") is Gainsborough's Peasant Girl Gathering Faggots, but he also cherishes his own portrait, painted by Great Britain's Graham Sutherland. "Many people see it as a caricature," says Beaverbrook, "but I think it is a good likeness...