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...Rivals. Playwright Richard Brinsley Butler Sheridan (1751-1816) fought two duels for the privilege of marrying a girl who had been painted by Gainsborough. Also, he wrote at least two dramatic classics (The Rivals, The School...

Author: /time Magazine | Title: The Theatre: Revivals | 3/24/1930 | See Source »

...paintings, now in private British collections, which authorities consider too precious to let England lose at any price. If such a list exists it could hardly fail to include Titian's Diana, and Actaeon, Reynolds' Master Crewe, Romney's Gower Children, Raeburn's The MacNab, Gainsborough's-portrait of Anne, Duchess of Cumberland (owned by the King), Lawrence's Lord Lyndoch, two of Lord Ellesmere's Raphaels, or Rembrandt's Rabbi in a Chair. One picture which might well have, been included but evidently was not is Sir Thomas Lawrence...

Author: /time Magazine | Title: Art: In Red Velvet | 1/20/1930 | See Source »

...Josnua Reynolds weightily pronounced blue to be unsuitable as a prevailing color in paintings. Almost simultaneously Artist Thomas Gainsborough produced his famed Blue Boy, intentionally or not a complete confutation of haughty Artist Reynolds...

Author: /time Magazine | Title: Art: Death of Henri | 7/22/1929 | See Source »

Many another Englishman faced an esthetic dilemma as he thought of the rosy native graces depicted by Reynolds and Gainsborough. Several wrote to the newspapers. Why did the Dutchmen choose such ugly models? Were they ugly? Last week Publisher William Randolph Hearst's New York American, agreeing for once with Britishers, echoed the questions and said of Artist Haus Holbein's Eve: "The mother of the human race . . . appears to be afflicted with adenoids for she is certainly breathing through her mouth...

Author: /time Magazine | Title: Art: Dutch Uglies | 4/22/1929 | See Source »

When Admiral Lord Nelson created by his heroic death a stencil for millions of Victorian lithographs, he is said also to have left desolate the most beautiful woman of his time. Lady Hamilton's white face and big eyes, painted by Romney and Gainsborough, were so widely admired that her elderly husband investigated no rumored infidelities "for fear they might be true." When Nelson left her to save his country, he asked her to sing for him once more−and there now is heard, apparently issuing from the lips of Corinne Griffith, "You'll Take the High...

Author: /time Magazine | Title: Cinema: The New Pictures Apr. 1, 1929 | 4/1/1929 | See Source »

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