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...respective reactions to grief—Dafoe’s intellectual distance manifest in his treatment of Gainsbourg, whose psychic pain becomes physical—exaggerate at a rate that reaches the suspenseful around the second act, and plows right through to the comically ridiculous by the third. Gainsbourg??€™s agonizing depression, it seems, is demonic rather than psychological—the wolf whose psychiatric sheep’s clothing leads Dafoe’s analyst (equipped with hypnosis, trust exercises, and thought-pyramids) into the heart of a forest subtly titled Eden. In nature...

Author: By Ryan J. Meehan, CRIMSON STAFF WRITER | Title: Antichrist | 10/30/2009 | See Source »

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