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With his shuffling gait, slurred speech and foggy memory, the punch-drunk boxer is a stock character in movies and fiction, a mainstay of many a stand-up comic's nightclub routines. But there is nothing funny about the condition some doctors call "dementia pugilistica." Doctors have known for years that a hard blow to the head can slam the jelly-like brain against the rigid skull and cause permanent damage. Now a trio of British researchers has documented just how serious-and how widespread among boxers-this damage is likely to be. In a study published last month...

Author: /time Magazine | Title: Medicine: Cauliflower Brains | 10/1/1973 | See Source »

...display cases. Bright commerce battles an overall mood of grey and white, the theme derived from the cool and erratically rainy sky overhead, taken up by the architecture--white panelled, glassed to reflect that sky, blocky as the crossword puzzles everyone works automatically--and completed in the hair, faces, gait, and sternness of the abundant elderly...

Author: By Phil Patton, | Title: Letter from Berlin | 8/17/1973 | See Source »

...hand), of a principled man rather surprised at his own slide into treachery. In view of the play's "happy" ending. Kerr quite rightly makes Angelo not an arch-villain but a probably redeemable sinner. His soliloquies are exemplary. Telling too are his deliberate movements, his slow gait, his hesitation to accept the Duke's proffered symbol of authority, the kneading of his fingers, the wiping of his sweaty palms with a white handkerchief, and, especially, his intense eyes capable of burning like a pair of laser beams...

Author: By Caldwell Titcomb, | Title: Philip Kerr Excels in 'Measure for Measure' | 7/2/1973 | See Source »

...conducted "sky-clad"?in the nude. It begins with a dance, men and women rotating in a circle facing out. "Thout-tout-a-tout-tout," they sing, "throughout and about." The men put their weight only on the toes of their left feet, which gives them a hobbling gait. At a certain moment, the priestess breaks free and guides the others inward in a spiral. When she gets to the center, she kisses the man next to her and begins to unwind the spiral. Each woman then kisses each man, and the spiral opens up into a circle again...

Author: /time Magazine | Title: The Occult: A Substitute Faith | 6/19/1972 | See Source »

...more to Kurosawa's expertise than the actor's, since Mifune tends to rely upon a fairly predictable set of movements no matter what role he plays. He can always be expected to use a toothpick as a prop, to scratch upon occasion and to walk with the same gait. In the cutting room and on the set Kurosawa transformed these actions into a portrait of a pensive, slightly down-and-out, but still powerful samurai...

Author: By Louise A. Reid, | Title: A Fistful of Yen | 5/19/1972 | See Source »

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