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...sequel to The Covered Wagon. James Cruze who directed that unforgettable history also held the megaphone on The Pony Express. He did not talk so convincingly to his actors; the story was wrong; something was the matter. For several reels the picture gallops along at a good gait. Excitement and conviction. Then it suddenly tires out and ends half asleep. It is a story of the West and Southwest just before the Civil War and deals with the juggling of state despatches. Ernest Torrence and Ricardo Cortez perform acceptably. Betty Compson, the love interest, is rather less effective...

Author: /time Magazine | Title: Cinema: The New Pictures Sep. 28, 1925 | 9/28/1925 | See Source »

Although the tendency has become pronounced for different industries to go their own gait, nevertheless the typical and basic character of the steel industry has not been forgotten. Thus no small curiosity awaited last week the publication of earnings of the U. S. Steel Corporation for the second quarter...

Author: /time Magazine | Title: Business: U. S. Steel Earnings | 8/10/1925 | See Source »

...leathern boots of a cattleman's daughter. Of course the West is a queer place and odd things happen out there, but not quite as bad as that. Richard Whorf in direct contrast to Miss Ediss was thoroughly in harmony with the setting. He has learned the clumsy rolling gait of a cowboy off his horse and the slow drawl of the Western plains. It's too bad, he wasn't given a bigger part. Mr. Clive, also, confined his undoubted talents to a few lines...

Author: NO WRITER ATTRIBUTED | Title: CRIMSON PLAYGOER | 6/11/1925 | See Source »

Second, she was Mrs. Norman Gait, wife of a prominent Washington jeweler...

Author: /time Magazine | Title: National Affairs: Miss Collins Abroad | 6/1/1925 | See Source »

...Ever since my father took me as a small boy to visit Hampton ..." Those words, uttered last week, created for those who read them a curious picture. They saw a certain very rich man, old even then, with a sharp, meagre face and deliberate gait, dragging by the hand a small, disagreeable-looking boy in a homely tunic, who cast terrified glances behind him at faces that leered from entries and windows-agreeable faces enough, but black as tar, with large white teeth, white eyeballs, which that backward-staring boy found inconceivably horrible. John Davison Rockefeller and John Davison Rockefeller...

Author: /time Magazine | Title: Education: Small Boy | 3/16/1925 | See Source »

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