Word: galatial
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...dealer floor plan all at sea? Darren Plymale, the general manager at Galati Yacht Sales in Tampa Bay, Fla., says many dealers are probably consumed with taking care of their customers and don't have time for the hefty application required. A dealership has to be worth less than $8.5 million to qualify. Plymale's dealership is too large to qualify, but he worries the program is too complex and cumbersome for those who do. "I have some great industry relations, and I don't know anybody that has applied for it and taken advantage of it," he says...
...very discouraged that the international community continues to balk on responding to the crisis in Sudan. One would think that after the 1994 genocide in Rwanda, we would have learned something. The world must act before yet another group of people is wiped out. William B. James III Galati, Romania...
...comedy-drama is beautifully paced and written, and the sentiment has some sly and unexpected edges. A popular success in Canada, the play had its U.S. premiere at Chicago's Steppenwolf Theater in a little-noticed production that featured two of the year's best performances, by Frank Galati (director of Ragtime) and Frasier's John Mahoney...
...sounds into balloon animals of rhyme the way Theodor Geisel did, but a Tony-laden team is going to try, adapting some of Geisel's Dr. Seuss books and characters into a Broadway show called Seussical: The Musical. The songs are by Lynn Ahrens and Stephen Flaherty (Ragtime). Frank Galati, who won two Tony awards for The Grapes of Wrath, is the director; and Kathleen Marshall, who choreographed Kiss Me, Kate and many of the enthralling Encores! musical revivals, is in charge of the dancing. David Shiner, the Cirque du Soleil veteran who shone on Broadway with Bill Irwin...
...There are times when the openhearted lyricism of a Leonard Bernstein would have been welcome, but the lean, laconic score keeps the action moving, lending Miller's kitchen-table naturalism a freshening touch of poetry. Add in Josephson's star-quality performance as Eddie, the exemplary staging of Frank Galati (who directed Broadway's Ragtime) and Santo Loquasto's angular set--the Brooklyn Bridge as painted by Franz Kline--and you get a no-nonsense tragedy whose final curtain falls with the tight-lipped impact of a police report...