Word: galbraithe
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...classification that crosses ethnic, social and income barriers. Typically, outside the South anyway, they are factory workers or others in low-to middle-income brackets who are tired of being told that Negroes have equal rights. "I guess I'm what you might call a racist," explains Joe Galbraith, a millwright at Ford's Rouge complex outside Detroit. "I've lived with Negroes. I've slept with them. I've fought with them. And I've had it. These people want everything for nothing. They don't want to work...
Virtually every liberal Democratic organization not already for Humphrey may ask some price for its support. The Americans for Democratic Action will meet this week to decide whether to endorse Hubert, and John Kenneth Galbraith boasts: "Only our people can elect him." But, he insists, "we aren't going to endorse the war. We aren't going to endorse the old foreign-policy priesthood that got us into this mess, and we aren't going to endorse the right of the Chicago police to beat up the youngsters who work for us. So everything depends on whether...
Other on the staff from Harvard include Rupert Emerson, George B. Kistiakowsky, John Kenneth Galbraith, Albert O. Hirschman, and James C. Thomson. Also on the advisory staff are Hans Morgenthau of the University of Chicago and Roy Macritis of Brandeis...
...cover assignment offered an unusual challenge. TV commercials, he decided, called for something more than the exercise of his satirical pen; nor did one of his papier-maā écartoon sculptures, which had served so well for the Beatles (TIME cover, Sept. 22) and John Kenneth Galbraith (TIME cover, Feb. 16) seem quite right for this subject. Scarfe closeted himself in a New York hotel room for more than a week, watching TV day in, day out concentrating on the commercials and ignoring the programs...
Overwhelming Irony. With the possible exception of John Kenneth Galbraith, most American critics embarked on a similar analysis of the U.S. would be likely to castigate their own culture in the stern and relentless manner of modern Cotton Mathers. But the French manage to be amusing, or at least elegant, even about the prospect of doom. Nourissier's book is charming and witty, his chief weapon being irony. If the irony at times seems to overwhelm the reader, that too is part of his message: the French are so full of contradictions that he can only explain their affection...