Word: galimir
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...Conductor-Violinist Alexander ("Sasha") Schneider. "It's not warm enough," said Schneider after a few bars, and he was not referring to Carnegie's central heating. That afternoon, they were all downtown at The New School rehearsing chamber music. "Your pizzicato sounds terribly dry," complained Violinist Felix Galimir to a group in one classroom. In another room Cellist Mischa Schneider (Alexander's brother) exhorted, "Sing, sing, sing...
...Leonard Shure opened the series with a completely traditional program of Chopin, Schubert and Beethoven; a week later Jamie and Ruth Laredo deferred to general taste with Bach and Beethoven, but managed to sneak in the somewhat post-Romanticist Sonata Concertante of contemporary Leon Kirchner; last night violinist Felix Galimir and his chamber ensemble (one almost expected the program to read "Felix Galimir and guests") went even further: avoiding the 19th century entirely, the group plunged right in with two works of extremely modern idiom, both composed within the last two decades...
...work is in three movements, nominally conforming to the standard fast-slow-fast alternation of classical sonatas. The first ("Movimento tranquillo") seemed to be written for violin solo with string accompaniment, which might be a function either of the composer's intentions of the energetic playing of Mr. Galimir. The second movement ("Adagio ed Espressivo") exploited the high register of the violin, giving the music a strongly passionate flavor; after a while, however, the emphasis on extreme registers began to wear (at least on these untutored ears) and passion passed over into hysteria. The last movement, ("Allegro appasionato...
...purpose of the first half of the program was epater le bourgeois, the thought behind the second must have been to send 'em home happy. This was done effectively by Galimir and company's performance of Mozart's Divertimento No. 7 in D major, K. 205. Scored for violin, viola, 'cello, double bass, two French horns and bassoon, the piece provided a refreshing antidote to the solid-string sound that had preceeded it. The preponderance of instruments with low ranges tended to make the piece a bit bottom heavy, but Galimir played as if trying to make up singlehandedly...
...programs of the Concert Series get more adventurous, attendance at Sanders becomes less enthusiastic, (though those who do come are as responsive as ever). This is too bad, since a lot of important but seldom-performed music is being played. The Galimir group are excellent exponents of works like the Sessions and Schoenberg, and it is well worth anybody's while to hear them perform...