Word: galina
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Dates: during 1950-1959
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When Shotputters Galina Zybina and Tamara Tyshkevich, miffed at losing the U.S.S.R. championship to a comparative newcomer, refused to accept their second-and third-prize medals by her side, they were stripped of their right ever to receive the medals, and the elder Zybina was barred from the trip to Stockholm (TIME, Aug. 18). Also barred was Nina Ponoma-reva, the hefty discus thrower who was caught shoplifting in London two years ago. A sort of Maria Callas in a track suit, Nina had made her outbursts of temperament famous. She was accused of being "egotistical and uncomradely." All this...
...specialist in hurling the discus a country mile (168 ft. 8½ in. in 1952 Olympics), burly Schoolteacher Nina Ponomareva, 29, was herself hurled-right off the U.S.S.R. track and field team. Bounced with her, for "egotistical and uncomradely conduct," was another chunky champ, Shot Putter Galina Zybina. For Nina, disgrace was nothing new: visiting London for a track meet in 1956, she raised hackles and eyebrows by walking out of a shop with five filched hats under her arm. later coughed up $8.82 in court costs to get free of stern British...
Heading the list is the legendary Galina Ulanova, who at 47 has slowed down to an average of three ballets a month, but whose free-flowing line and effortless technique are still unmatched by any other dancer in the company. Ready to replace her are Maya Plisetskaya, 31, with her forceful, passionate style and broad, floating leaps; Raissa Struchkova, also 31, whose style in such a work as The Fountain of Bakhchisarai is warmly brilliant rather than deeply emotional; Marina Kondratieva, a rising star at 23, whose lightness and lyrical qualities make her a notable Cinderella...
...chorus and orchestra of the Bolshoi Theater; Westminster, 3 LPs). Pushkin's sentimental tale of a St. Petersburg blade and his Unbeloved, given a skilled and rousing reading by Russia's leading opera group. The score displays Tchaikovsky at the top of his meltingly melancholy form. Soprano Galina Vishnevskaya is particularly fine as the lofty-souled heroine whose real-life prototype became Tchaikovsky's wife in a marriage that almost drove him to suicide...
...evening's ballet was Romeo and Juliet, danced in settings of overwhelming -if old-fashioned-grandeur and verisimilitude. The dancing, to the Prokofiev score and with few differences from the ballet film now showing in the U.S.. was heavily larded with emotion-laden pantomime. But fragile Ballerina Galina Ulanova danced lightly as a wind-wafted feather in spite of her 46 years. Most critics were ecstatic. The Times critic described her as "now like a flame on the ground, now like a flame leaping in the air." Wrote the News Chronicle: "Her arms and hands raised in flight...