Word: galina
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Dates: during 1970-1979
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...start too for the Russian fans, who turned out in strength at every event with red flags and bushy fur hats. Their ace speed skater Tatiana Averina won a gold in the 1,000-meter race to go along with two bronze medals in the 500 and 1,500. Galina Stepanskaya, 27, a last-minute addition to the Soviet speed skating team, took the 1,500-meter race. The favored figure-skating duo, Irina Rodnina and Alexander Zaitsev, though performing slightly off their usually impeccable form, easily won the gold medal. Also, the juggernaut Russian hockey team beat...
Cross-country skiing is no longer the exclusive province of its Nordic creators. Soviet and East German skiers are as adept as their Scandinavian counterparts in the double-pole technique, and equally sturdy. In fact, Zinaida Amosova, Galina Kulakova and Raisa Smetanina could effect a Soviet sweep of women's races. Sweden's Thomas Magnuson, a former lumberjack known as "The Slugger," Finnish Sports Instructor Juha Mieto and Norway's Oddvar Braa should win medals, but East Germany's Gerhard Grimmer is technically as skilled. Glim mer's teammate, Ulrich Wehling, skis and jumps consistently...
...worthy successor to the now retired world champion, Ard Schenk of The Netherlands. A college student from the central Russian city of Gorky, Averina, 25, holds the world records in the 500, 1,000 and 1,500-meter events. Other medal possibilities at Innsbruck: Teammates Lubov Sadchikova and Galina Stepanskaya, American Sheila Young and Japan's Makiko Nagaya. Averina has no equivalent among the men, but Soviets hold four of five world marks. Impressive, but somewhat deceptive. The records were all set at high altitude, in Alma-Ata, near the Chinese border. That might mean that American Peter Mueller...
...conducting debut before an audience of 2,700 at the Kennedy Center Concert Hall in Washington. Rostropovich, who had encountered growing repression in his homeland because of his loyalty to Writer Alexander Solzhenitsyn and other dissident artists, left the Soviet Union in May with his wife, Soprano Galina Vishnevskaya. The maestro's troubles seemed almost distant, however, as he guided an exuberant National Symphony Orchestra through an evening of Tchaikovsky for an audience that included another recent arrival from the U.S.S.R., Dancer Mikhail Baryshnikov. It was a rare evening. Said Washington Star-News Critic Irving Lowens: "In terms...
Right now Galina is overshadowed by her husband's mature artistry. It was Panov the dancing actor rather than Panov the spectacular technician who stole the evening. As Petrouchka in Stravinsky's tragicomedy celebrating the Russian Punch, Panov combined Chaplinesque humor with a mime's mastery of the mysterious language of silence. A floppy puppet holding his heart and crying real tears, Panov shrugged his shoulders and, with a spineless collapse, fell to the floor in a human puddle. In that single movement he captured all the joy and anguish of the universal clown...