Word: galleryã
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...large part of what made the gallery??s success possible was due to Glimcher’s attitude that the it had to be as close as possible to the artist himself. “That’s what it’s about,” he exclaimed, leaving his notes for an impassioned aside. “What it’s about is being in the studio, seeing the work made, knowing what the inspiration is. We get to live a show—our lives are taken over by the show...
...Own” winds through three rooms, separated chronologically into “Post-Civil War America,” “Arts and Crafts Movement,” and “The Boston School and Modernism” groupings. The small size of the gallery??significantly smaller than the galleries used for recent blockbuster exhibitions—only allows for a Cliffs Notes version of the work of Boston female artists during this period...
...these differences, more should have been done to continually remind the viewers of the similarities of these works. While the text panels accompanying and introducing the exhibition explain that “[a]dditional biographical information about each artist can be found in the catalogue, located in the gallery??s reading area [located near the exit of the gallery],” increasing and interspersing the biographical information within the galleries would have had the beneficial effect of making the exhibit appear to be more coherant and less free-form. If the visitor had each woman?...
...Weil may easily mislead the viewer into seeing these paintings solely as celebratory art. Entering the exhibit, the viewer is immediately confronted by the cheerful oranges, reds, cinnamons and golds that dominate almost all of his paintings. The bright colors of the paintings create a startling contrast against the gallery??s white walls...