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Word: galliard (lookup in dictionary) (lookup stats)
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...British folk singer/tradition bearer David Jones, actors Patrick English, Sarah deLima and Richard Snee, the 40-member Revels Chorus, a merry company of Music Hall "artistes," the Pudding Lane Waits, the Dingley Dell Dancers, a parlor orchestra, the Cambridge Symphonic Brass Ensemble, The Pinewoods Morris Meri and the Rose Galliard Northwest Morris, the Pearly King and Queen, and a fake ferret. Do you know what that means? Again, the press release speaks through me. Basically there are a lot of people on stage, no one is particularly charming or memorable, they do ridiculous things for adults under uninspired direction...

Author: By Phua MEI Pin, CRIMSON STAFF WRITER | Title: Christmas Revels Come But Once a Year--Thankfully | 1/8/1999 | See Source »

...choices were excellent, ranging from the chromatic Forlorne Hope, in which Bream showed he could "pluck from the memory a rooted sorrow," through the expressive Sir John Langton's Pavan--the finest gem of the evening--to the syncopated and almost jazzy Earl of Essex's Galliard...

Author: NO WRITER ATTRIBUTED | Title: A Plucker With Pluck | 10/11/1958 | See Source »

...fervor. Susan Shentall, while reading hers without distinction, nevertheless has what is so rare and so right in a Juliet: a delicate haze of sensuality that clouds the clear child face with passion's promises. The scene in which Romeo and Juliet meet, in which she foots the galliard, and the two touch trembling hands in the dainty ballad of the masks, is a passage paced to the heartbeat of first love...

Author: /time Magazine | Title: Cinema: IN FAIR VERONA | 12/20/1954 | See Source »

Organ Music (Sun. 9:15 a.m., CBS). Bach's "Saint Ann" Prelude and "Saint Ann" Fugue, Dobbelsteen's Fourth Impromptu, Galliard's Sonata for Bassoon and Keyboard, No. 1. Organist: E. Power Biggs. Bassoonist: Raymond Allard...

Author: /time Magazine | Title: Radio: Program Preview, Oct. 20, 1947 | 10/20/1947 | See Source »

Between Mr. Adams' two statements there is something of a contradiction: the youthful, galliard tone is decidedly something extra in Rub life, supplied from a foreign source. Like an amoeba, the Sanhedrim that draws up Boston social lists reaches out long pseudopodia to Cambridge, absorbing whatever it wants in the ways of male sustenance, and rejecting the rest. So the young roam through their pleasures and palaces quite separately from the old, and it is the young who usually usurp the front pages of the society sections. Relegation of the middle-aged, and increased respect for the goings...

Author: NO WRITER ATTRIBUTED | Title: HANDS ACROSS THE CHARLES | 11/29/1932 | See Source »

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