Word: gallicisms
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...Ziggy; the Shubert show, White Lilacs, makes a valentine out of a vulgar though exciting episode. In The New Moon, Schwab and Mandel, from the cheers and collegiate stomping of Good News, have turned to New Orleans before the French Revolution and the dreamy schemes of a handsome Gallic aristocrat called Robert to build a state wherein men may live as equals and wherein women shall be compelled to marry them...
...rubber-company father, distressed, arranges to remove the cultured Gaul to Ohio, hoping Daughter will be disillusioned by his Old World fragrance among robustuous U. S. odors. Chameleon Pierre turns Babbitt, nearly estranges the girl while ingratiating himself with her father, ultimately wins her with a recrudescence of Gallic passion when his success is dramatically jeopardized by an American rival. The farce is spotted with easy gags, is occasionally deft, never hysterical. Kenneth MacKenna as Pierre, Lucile Nikolas as Barbara, Harlan Briggs as Father make the most of it, provide an evening of contented chuckling...
Prohibition, the curse of America; Prohibition, the blessing of the age; and now, Prohibition, the subject of an epic by the talented M. Pillionel, who promises to turn the shafts of his Gallic wit on this topic in the very near future...
Three or four days later--such things are not important with the Gallic police--a squad of gendarmes rang M. Daudet's door bell. M. Daudet's butler intimated that the master was not "at home". The gendarmes bowed and announced that they would wait. And so the "siege" that ended two days ago began. After M. Daudet had received French pastry, champagne, and other life maintaining victuals in great number from his friends, and after daily during the "siege" announcing that to surrender would mean the end of civil liberty, honour, and whatnot, M. Daudet quite naturally surrendered...
...fact remains that Wagner's amours have only such significance as they have attained in their mutation into art. Louis Barthou's book competently threads together previously known facts, describes with Gallic wit and speed encounters of that nature which Frenchmen, both in funny papers and reality, enjoy with special gusto. But since it tells little that is new and only brushes over the old, it is to be regarded more as a series of entertaining anecdotes than as a consequential item in the lists of Wagnerian biography...