Word: gallicly
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Dates: during 1950-1959
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...poems in four different languages, all in different ways evoking the New World. Italy's Dino Campana sees classical images that compare the noble Indian savage to Venus, Federico Garcia Lorca's Brooklyn Bridge Nocturne throbs with Spanish symbolism, while France's Jules Laforgue dreams in Gallic-materialist specifics ("Des venaisons, et du whisky. . . et la loi de Lynch") and Walt Whitman shambles forth in his pagan-hobo way, singing The Song of the Open Road. Trying to follow each poet's vision, the music seemed to have little vision...
...nostalgic, there is Gustave Charpentier's Louise (Epic, 3 LPs), infrequently heard in the U.S. It is a sentimental apotheosis of the Gallic spirit, dating from a turn-of-the-century Paris that had never heard of existentialism. The work is not only good opera but good soap opera, telling the torturous romance of a working girl and her artist lover. The scene is the same turbulent Paris where Bohème's Rodolfo and Mimi loved, but while Puccini's Bohemians are really passionate Italians, Charpentier's characters are really Parisians-frothy, but a little...
...famous Parisian troupe, headed by a famous acting couple-Madeleine Renaud and Jean-Louis Barrault-paid their first visit to Broadway. Offering chefs d'oeuvres variés-Shakespeare, Marivaux, Molière-as well as novelties and knickknacks, they particularly scored with their lighter, wittier, most Gallic productions, revealed Director-Actor-Pantomimist Barrault as one of the theater's most agile minds and bodies. Last week, again brought over by Impresario Sol Hurok, the Barrault troupe again promised a menu of both classics (Molière, Lope de Vega, Ben Jonson) and moderns (Salacrou, Giraudoux...
Forced Labor. It proved to be a blooded group, fully capable of stirring up a roomful of excitement while its players maintained a kind of Gallic detachment. In a program of modern French music, they gave a virtuoso performance, rippling through the runs with the clear articulation of woodwinds, melting into the passionate sections with sharply contrasting warmth. The players neatly sorted out the intricacies of Martinet's twelve-tone Variations and romped through Milhaud's dancy, polytonal Quartet No. 13. They spectacularly dramatized Martinon's Quartet, Op. 43, with its melodramatic outbursts, its massed tonal tumbles...
...spectrum of art, inspired by Old Testament themes, that begins with paintings from the Roman catacombs and covers more than 14 centuries before it comes to rest with the all but serene Biblical painting of Rembrandt. The contrasts are fascinating: between the somber faith of the Spaniards and the Gallic directness of the French, the controlled warmth of the Italians and the austere faith of the Germans. It is a brilliant sampling that shows, among other things, how national character, as well as time and place, alters the face of Christian...