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...September, French publishers Gallimard issued three Roth works, all translated by Kamoun: The Dying Animal (now a French best-seller), Shoptalk and a new, more accurate translation of The Counterlife. Before Roth had even published The Human Stain, his best-selling 2000 meditation on race, sexual scandal and identity in America, he was discussing its special challenges with Kamoun. "He told me, 'Josée, this one's got a word that might be a bit difficult,'" she recalls. The book's narrative hinges on a misunderstanding of "spooks," which is both a term for ghosts and a 1950s racist...

Author: /time Magazine | Title: Found in Translation | 12/5/2004 | See Source »

Hwang attacks cultural and social prejudices such as these in his account of the demise of Rene Gallimard, a French consul living in Beijing during the Cultural Revolution of the '60s. The plot is based on a true story of an affair between a French diplomat and a Chinese actress that became public in 1986 with expected notoriety. The Chinese actress, who supposedly bore the diplomat's child, was, in fact, both...

Author: By Anne E. Wyman, CONTRIBUTING WRITER | Title: M. Butterfly Morphs Again | 4/23/1999 | See Source »

Inversions of sexual stereotypes have been used as an artistic device before. The most notable example occurs in the movie, The Crying Game, where the leading character is an IRA terrorist. Here, in M. Butterfly, Gallimard falls in love with a man that embodies his vision of what an ideal woman should...

Author: By Anne E. Wyman, CONTRIBUTING WRITER | Title: M. Butterfly Morphs Again | 4/23/1999 | See Source »

Somebody like Genet, I feel, is basically irrecuperable; you can't co-opt, you can't normalize, recuperate him. There's this biography and he exists in Gallimard's Ouvre Complete, all that stuff, but the truth is that people in the provinces still don't buy Genet, he'll never be taught in schools. Bourgeois women, who are most readers, can't read him or don't want to. I think it's really always going to remain like that. There's no way he's going to ever really fit in. I don't think my works...

Author: NO WRITER ATTRIBUTED | Title: Genet, AIDS and Mrs. Nabokov | 12/2/1993 | See Source »

...fooled, though. The force of this exchange only lasts a few minutes until we're asked to witness a ludicrous closing episode at the French prison where Gallimard has been incarcerated for betraying state secrets. In this scene, Gallimard displays his final transformation from a sexist imperialist into a transvestite performance artist. The inmates seem charmed. But then they--unlike you--don't really have anywhere else...

Author: By David S. Kurnick, | Title: M(oronic) Butterfly | 10/28/1993 | See Source »

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