Word: gallops
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...authorial mouthpiece than a coherent character, and when he says at the end that he wishes he could be sorry for what he has done it really seems as if someone is forcing Teddy to act the way he does. The scene in which Teddy directs Ryder to gallop around the restaurant like a cowboy and threatens to force him to make love to Angel on the counter while calling the terrified boy a "fag" and "queer," is psychic and physical torture reminiscent of the rape in Deliverance...
...might actually get a chance to see the Red Sox in the (all too human) flesh in the middle of next week, when the Cleveland Indians gallop into town for a three-game set at Fenway. Normally it's a real challenge to pick up a Sox ticket these days, but the Tribe is so amateurish they've been invited to send a delegation to the Olympics, so don't sweat it. Rumor has it that Bowie Kuhn actually forgot Cleveland is still in the major leagues, and the team certainly hasn't done much to correct that impression. Look...
...five-horse field got away cleanly, Cauthen steering Affirmed into an immediate, if slow-paced lead. Alydar's trainer, John Veitch, had feared a repeat of Affirmed's easy gallop on the lead at the Preakness and planned to up the pace if Cauthen tried to lope off with the race once more. Said Veitch: "Alydar will be Affirmed's shadow...
Breaking cleanly from the gate, Cauthen guided the handsome and trim chestnut colt into a comfortable gallop off the lead through the backstretch, rating Affirmed gently for the push to the finish line. As the field streaked into the final turn, he urged Affirmed into the lead, whipping, then hand-riding, opening a generous gap that carried Affirmed to the wire an easy winner. For the blacksmith's son from Walton, Ky., the transition from toddler on the backstretch to top jock was complete...
...Director Martin Ritt (Sounder, The Front), who has collaborated with Cinematographer John Alonzo and Production Designer Robert Luthardt to paint the colorful Louisiana and New Mexico settings in crisp detail. Ritt has the good sense to stretch out the tense race sequences (with slow motion, if necessary) and gallop by the story's mawkish father-son, brother-brother and child-horse confrontations. He even gets away with the overheated scenes that depict the star colt's birth and its mother's untimely death...