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These fathers try to seal the deal on their invented Montague-and-Capulet setup by hiring the bandit El Gallo (Marty Dinn ’03) and his swashbuckling, scene-stealing cohorts Henry and Mortimar (Thomas Odell ’05 and Neil G. Ellingson ’05). El Gallo and associates stage the rape of Luisa and her rescue by Matt. As planned, when Matt saves his damsel in distress, the two fall more deeply in love, and the fathers find themselves with an opportunity to end their public feuding—for who could hate the father...

Author: By Michelle Chun, CRIMSON ARTS THEATER CRITIC | Title: Review: A Good Dose of Whimsy Delights | 7/3/2003 | See Source »

...show’s end, it’s hard to say whether the crowd favorite was the pair of young lovers, their fathers, the Henry-Mortimar duo or the talented Martin Dinn as El Gallo. In fact, the cast got it right in this all-around well done, fun show—and it’s well worth the trip out to the Loeb Experimental Theater...

Author: By Michelle Chun, CRIMSON ARTS THEATER CRITIC | Title: Review: A Good Dose of Whimsy Delights | 7/3/2003 | See Source »

...theorists might have seen sinister connections between its star, Nicole Kidman, and jury member Meg Ryan, who stars later this year in the Kidman-produced In the Cut. Best Goofy Diversion from a Dreadful Slate of Films: The mystery of the purloined penis. An American indie movie, Vincent Gallo's stupefyingly inept The Brown Bunny, let loose such a torrent of critical contumely that the director-writer-star-cameraman-editor apologized publicly for his film. Bunny's only selling point was the promise of an explicit scene of fellatio between Gallo and Chloë Sevigny. One hour and 47 minutes...

Author: /time Magazine | Title: It's a Lovely Day in Cannes And Life Is Rotten | 6/1/2003 | See Source »

...fans by getting shut out at award time. But another Danish auteur did have reason to be there and be pleased: Christoffer Boe, director of Reconstruction, which won the Camera d'Or for best first feature. As he accepted his prize, Boe made this plea into the ether: "Vincent Gallo, don't give up! We need to fight conventional filmmaking." Someone needs to make, and fight for, better films. Maybe next year: Cannes 2004 has already been dubbed the Atonement Festival. But if there's a lesson from Cannes 2003, it's that bad films are more fun to talk...

Author: /time Magazine | Title: It's a Lovely Day in Cannes And Life Is Rotten | 6/1/2003 | See Source »

...HUPD officers placed 23-year-old Scott Gallo, from Somerville, under arrest for Class B (crack and cocaine) and Class D (marijuana) drug possession...

Author: By Hana R. Alberts, CRIMSON STAFF WRITER | Title: POLICE LOG | 4/23/2003 | See Source »

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