Word: gally
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Dates: during 1930-1939
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Tibbett's success is reminiscent of the boom years, which for concerts ended not with the stock crash but with radio and sound movies which came in at a time when the market was already imperilled by too many second-rate artists. In the boom years Galli-Curci and John McCormack were the big money-making concert singers. They would get 100 engagements a season and they needed no advertising. Phonograph records built up their names, besides earning them royalties which year after year ran over $100,000. Deflation has weeded out second-raters and for the top-notchers...
...Olszewska joined the Metropolitan. Together the oldtimers sat at a table in a night-club scene, watched Lucrezia Bori and Rosa Ponselle do lively impersonations of cigaret girls, after which tiny Lily Pons did an Apache dance with enormous Lauritz Melchior as her shrinking partner and Dancer Rosina Galli, Mr. Gatti's wife, conducted the orchestra...
Stirred by the story of how beloved Marshal ("Papa"') Joffre saved Paris with the aid of Galliéni's improvised ''Taxicab Army" and flung back the Germans from the Marne, more than 4,000,000 U. S. schoolchildren gave nickels, dimes and quarters to pay for the Marne Victory Monument first presented to France in May 1921 ''in return for the Statue of Liberty." Last week the schoolchildren's gift, an exciting 130-ft. granite figure of France Defiant shielding a wounded poilu, was "re-presented and unveiled" by U. S. Ambassador...
...Diarist Galliéni's "Taxicab Army" came in handy, there were only 600 taxicabs and they carried in two trips only one of the 56 Allied divisions then opposed by 44 German divisions. Galliéni, whom the French Cabinet had left behind as Military Governor of Paris when they tied to Bordeaux, received scant official thanks for his astuteness at the Marne, incurred Joffre's enmity, was forced out of active command and died at Versailles in 1916. But merit triumphed. On April 21, 1921, to the rapturous delight of Paris, dead General Galli...
Variety, theatrical tradesheet, last week prophesied an end to fee inflation, printed the prices asked by some 50 artists: Soprano Amelita Galli-Curci, $4,500; Violinist Fritz Kreisler, $4,500; Tenor John McCormack, $4,000; Soprano Rosa Ponselle, $3,500; Pianist Sergei Rachmaninoff, $3,000. . . . Such lists are misleading. Galli-Curci may ask for $4,500 but she seldom gets it now. Many people prefer to hear Lily Pons, the pretty French coloratura who is a novelty and only a little more than half Galli-Curci's age. Kreisler makes $4,500 on many a concert but he makes...