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Word: galoots (lookup in dictionary) (lookup stats)
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...serious hat is not a masquerade, not a goof and not an announcement that while a man may look like a middle-aged New York City account executive, he harbors a West Texan in his soul, the real interior galoot made manifest in the feathered Stetson that sits on the bar. The serious hat is the opposite of a disguise. It is a working piece of clothes and an adjunct of character...

Author: /time Magazine | Title: Essay: In Praise of Serious Hats | 4/25/1983 | See Source »

Mean Streets--This is the film that made Martin Scorsese. A rough, startling, excellent glimpse of the lives of a couple of small-time Italian hoods in the Bronx. Robert de Niro sparkles as Johnny Boy, the idiotic, irresponsible galoot who drags his nominally smarter buddy, Harvey Keitel, into some big trouble. This film catches the pulse of The City better than almost any other film of the '70s. A must...

Author: NO WRITER ATTRIBUTED | Title: FILM | 7/28/1978 | See Source »

...tell the truth. Doc has a few little problems of his own. The big galoot can literally knock out a 12-ft. shark, but he is scared of girls-in one book he turns to a Mayan maid who is made lor him and stoutly "vouchsafes" the following: "Monja, you've been a brick." But not all of Doc's quirks are endearing. Billed as a paragon of fair play, he nevertheless tends to characterize non-Nordic types as "a low specimen of the Central American half-breed" or as "ratty, dark-skinned" people. In his books black...

Author: /time Magazine | Title: Books: Back to the Gore of Yore | 7/5/1971 | See Source »

...hates most is "the new age, the age of the galoot, the fast buck, the something-for-nothing crowd," and he goes out of his way to give every phony he sees a piece of his sharp mind...

Author: /time Magazine | Title: Cinema: The New Pictures, Oct. 26, 1959 | 10/26/1959 | See Source »

Most of the actors in the film do not deserve the plaudits they won on the stage. Leif Erikson plays the husband as such a dumb galoot that it is impossible to believe that a sensitive girl like Deborah would ever have married him. John Kerr puts remarkably little imagination into the part of the boy; it .often reads much better than he plays. it. Deborah Kerr, on the other hand, is excellent: always in scale, always in key. And Norma Crane does some wonderful flobbing around the screen as the slavey and general grab bag at the local hash...

Author: /time Magazine | Title: Cinema: The New Pictures, Oct. 8, 1956 | 10/8/1956 | See Source »

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