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Pinball at the corner bar, a mound of scattered papers and boxes that pass for an office, Frank Galvin's life is falling apart and there is nothing to hold together his failing health and law practice but alcohol and eyedrops. That is, until a no-nonsense lawyer friend offers him one last chance--a client with an unbeatable malpractice suit...

Author: By Mary Humes, | Title: Newman's Case | 1/10/1983 | See Source »

...friend and former mentor. Mickey Morrissey (Jack Warden), hopes the case will bring in some cash without much effort. The Archdiocese which runs the hospital where the accident took place seems willing to settle out of court and keep the doctors' names out of the papers. But Galvin, a crusader against the corruption of the Irish. Catholic world in which he lives, refuses to take the easy route. He rejects the offer and insists on taking the case to court, thus making the verdict of the court, whatever it may be, more than a judgement of the suit...

Author: By Mary Humes, | Title: Newman's Case | 1/10/1983 | See Source »

...rest of the film now falls into place. The case becomes an obsession both for Galvin and the audience, especially as it becomes clear that the trial is a sham. Director Lumet cleverly arranges the scenes around the building anticipation to the trial, and the film never lags...

Author: By Mary Humes, | Title: Newman's Case | 1/10/1983 | See Source »

Strong performances by supporting actors, particularly James Mason as the defense attorney, and colorful scenes of Boston also carry the film. The audience's anticipation of a happy-ever-after between Galvin and his enigmatic girlfriend (Charlotte Rampling) dissolves in bitterness in the final scene, when Galvin finds out that this mysterious woman who had helped him get through the trial was a lawyer from the firm of the defending attorney hired to spy on Galvin...

Author: By Mary Humes, | Title: Newman's Case | 1/10/1983 | See Source »

...boozy Irish-Catholic lawyer, who is on-screen for nearly all of the film's 125 min., accurately enough to be utterly convincing, with enough restraint so that the audience does not get a hangover, and sympathetically enough so that he reaches out, shakily, and touches heroism. Frank Galvin is a formerly bright and formerly young Boston attorney who was railroaded out of his law firm by a crooked senior partner. He took to what in Boston is called the drink and fell apart. Galvin has had five cases in three years and has lost four. The fifth...

Author: /time Magazine | Title: Paul Newman: Verdict on a Superstar | 12/6/1982 | See Source »

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