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Peter Hirsch is a superb male lead, juggling the roles of the emcee, the game-show host, Dodgson, the Mad Hatter, Lewis Carroll, Karpov and Humpty Dumpty. His timing is impecca ble and his versatility, in all of his capabilities, is astounding...

Author: By Kelly A.E. Mason, | Title: A Modern Looking Glass | 10/20/1989 | See Source »

...selling real estate in the San Fernando Valley. The talent manager significant in Johnny's early triumphs was fired, and his clients were barred from the Tonight show; he retired to a farmhouse in upstate New York. Carson got married a second time, in 1963, to Joanne Copeland, a game-show hostess. The marriage started disintegrating after its sixth year, and they were divorced...

Author: /time Magazine | Title: Video: Heeeeere's Johnny! | 6/26/1989 | See Source »

Bush won the debate largely because he triumphed in the congeniality competition. But has the pursuit of the presidency become trivialized by this intense emphasis on likability? After all, TV game-show hosts are uniformly genial, but few Americans want Pat Sajak presiding over the National Security Council...

Author: /time Magazine | Title: Bush Scores A Warm Win | 10/24/1988 | See Source »

Quayle's hyperactive performance at his own investiture was criticized by many as more appropriate for a game-show host than for a would-be Vice President. He bounded across the podium, waving his arms, grabbing Bush's shoulder (the Vice President recoiled) and shouting meaningless phrases like "Go get 'em!" But many Bush advisers thought that Quayle's energy made the Vice President look like a Reaganesque elder statesman in comparison. Bush agreed. The next morning he said to an aide, "Don't let anyone try to put Dan in a straitjacket or slow him down...

Author: /time Magazine | Title: The Republicans:The Quayle Quagmire | 8/29/1988 | See Source »

...destruction of a public man holds a terrible fascination. One watches transfixed, yet ashamed, as personal dignity gives way to political desperation and hard-won respect is replaced by ribald laughter. It is an ugly spectacle, part Greek tragedy and part game-show television. Character becomes fate as hubris is defined anew. Yet the rituals of humiliation are straight Marshall McLuhan; the medium is the message as the cornered politician endures the prescribed sequence of televised statements, beginning with a tight-lipped acknowledgment of errors in judgment and ending with defiant surrender. So the political process is purified yet again...

Author: /time Magazine | Title: Fall from Grace | 5/18/1987 | See Source »

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