Word: game
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Dates: during 1960-1969
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...Eugene McCarthy's showing in the New Hampshire primary and Bobby Kennedy's big announcement, it was not until Saturday that the editors decided that Senator McCarthy, the relatively little-known figure who had started the week's upheaval-not to say a new political ball game-was the right man for this week's cover story in The Nation...
...nobody. He is a cool operator who plans to sweep the American housewife off her feet before she has a chance to sweep the floor. Hosting a new 90-minute daily talk show called This Morn ing on ABC, he has plunged into that grey Sargasso Sea of morning game shows and reruns, and already he's making steady, perceptible waves of laugh ter. There is something vaguely immoral about one-liners at 10:30 a.m., but Cavett has no respect. Amid all the yak, yak, yak on daytime TV, he has snuck in a genuine yuk. And mean...
...Cavett interviewed Comic Pat McCormick, who discussed the possible effects of a steel strike on the California Christmas-tree market. Cavett is still too innocent to prevent a veteran pitchman like Art Linkletter from wresting the show away from him and giving a 15-minute spiel for a new game he helped invent. But in defense, Cavett, a former gag writer, can fall back on old material. Once, he said, when he was out of work, he used to write dirty jokes for kids to use on Linkletter's TV House Party...
...mouth belongs to Coach Emile ("The Cat") Francis, 41, a diminutive ex-goalie who patrols the Ranger bench during games, screaming profanities that would make a dock-walloper blanch. "Cash and cussing" is the way one Ranger describes Francis' coaching methods: players who turn in exceptional performances find something extra in their pay envelopes; those who let down get a stinging spray of verbal vitriol. Last season, after a lackadaisical game against Montreal, Francis announced that a "television deal" was in the offing. The players' faces brightened. "Yeah," sneered the coach, "the Red Skelton show needs some sloppy
...mixed bag and the sum total of Babe's ideas can only bring us to Coriolanus. Babe opts-out of the traditional director's game of characterizing Coriolanus by motivating his inability to humble himself before the plebeians. Corresponding to his entire approach, Babe emphasizes diverse characteristics of the man as situations arise. Strongest seems a perverse sense of humor: Coriolanus smiles and waves goodbye when he leaves Rome, as if he were leaving for summer camp. Tom Jones is neither larger-than-life, like Olivier (Stratford, 1960), or rich and petulant, like Ian Richardson (Stratford, 1967), and relies heavily...