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Word: gamut (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
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Usage:

...could be expected, the acting throughout the event as a whole ran the gamut from excellent down to awkward and amateurish efforts. Altogether, however, the standard of the acting was quite high. The best performances were contributed by the members of Harvard's Deathwatch company which featured Harold Scott, Colgate Salsbury, and D.J. Sullivan. They preserved the polish of their work in the Genet play for the Yale showing. Robert Brustein, as Jean, and Carlyn Cahill, as Julie, also turned in a pair of very distinguished performances in the Vassar production of Miss Julie...

Author: By Thomas K. Schwabacher, | Title: Yale Drama Festival | 4/13/1957 | See Source »

...music in Wednesday evening's Music Club concert ran the gamut from the ridiculous to the nearsublime. Along this scale were works by three B's--not the original trio of Bach, Beethoven and Berlioz (the last of whom a fourth B, Hans von Bulow, changed to Brahms), but a new group comprising John Bavicchi 4G, Bertram Baldwin '58 and David Behrman...

Author: By Caldwell Titcomb, | Title: New Music | 3/29/1957 | See Source »

...Gamy Gamut. Unlike soap opera, the average confession story runs a gamy gamut of misadventure and misfortune whose-Boccaccian detail is tempered only by the bowdlerized prose of Hollywood. A bastard is a "sin child" or "living proof," adultery is "cheating." But in the end, every Wedding-Ring Dodger and Faithless Mate, however devious, rises above the blighted past ("Is he remembering her when he kisses me?") and, overcoming the doom-fraught future ("A lifetime of not knowing"), concludes his or her chronicle on a hopeful note. "Sure, we're Pollyanna," shrugs Nina Dorrance, young (35) editor of superslick...

Author: /time Magazine | Title: The Press: Tin from Sin | 3/25/1957 | See Source »

...harmonies and delicate colorings; and the four movements of this suite contain some of his most exquisite writing, such as the shimmering muted violins in "La Fileuse" and the tinges of modal harmony in "Mort de Melisande." Everything here is achieved through understatement, through minute shadings within a restrained gamut. The resulting "parfum imperissable," to borrow the title of one of Faure's songs, is perfectly suited to the evocative gentleness of Maeterlinck's great Symbolist play; it is, if I may indulge in oxymoron, music of cool warmth. Such music as this demands an extraordinarily nuanced performance from every...

Author: By Caldwell Titcomb, | Title: Bach Society Orchestra | 3/5/1957 | See Source »

...Barrault's purpose is more than just putting on plays. In this most delightful conclusion of the Company's program, the whole cast appeared in formal dress to recite poetry and display their art in its purest form, without scenery, costumes or an imposing vehicle. They ran the gamut from the most subtle verbal effects to no words at all. Barrault's final pantomimes were the epitome of freedom within a highly stylized form. Compared to Marcel Marceau his mime was less delicate and less detailed but it had energy, spontaneity and excitement that Marceau cannot equal. The mimes conveyed...

Author: By Lowell J. Rubin, | Title: Two Days With Barrault | 3/5/1957 | See Source »

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