Word: gandhis
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Dates: during 1990-1999
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Since the premiere in 1980 of Philip Glass's Satyagraha, which depicted the origins of Gandhi's nonviolent pacifism, operas have taken on such subjects as the thawing of the cold war (John Adams' Nixon in China), a horrifying mass murder (John Moran's The Manson Family) and the life and times of a fiery black radical (Anthony Davis' X). Throw in William Bolcom's 1992 McTeague, a setting of Frank Norris' wrenching turn-of-the-century novel, and Steve Reich's The Cave, a challenging examination of the roots of the Arab-Israeli conflict that gets its American premiere...
Composers have long recognized the hypnotic impact of repeated melody: the grinding pathos of the Albinoni Adagio; the inexorable drive of Ravel's Bolero; the serene radiance of Gandhi's final aria in Glass's Satyagraha. None of these pieces, however, approach in length or cumulative impact a new work by British composer Gavin Bryars, Jesus' Blood Never Failed Me Yet, which is at once an apotheosis of minimalist technique and a moving affirmation of the power of simple song...
...especially good year for Edelman, when she supplemented her award from Radcliffe with the prestigious Gandhi Peace Prize...
Bigger is not better. James Michener's novels keep getting longer and less readable. Overhead costs are bankrupting the newly renovated, expanded Crimson. Gandhi, the movie, might have won an Oscar, but it would have been just as good--if not better--without the second reel...
...epic movies with him? Lean knew that life is full of dramatic events, but it's what's inside that counts; the enthralling vistas matter less than the interior vision. That lesson is lost on Hollywood, whose idea of epic biography is a story of a big shot (Gandhi, Bugsy Siegel, Malcolm X) who got shot. Violent death is meant to lend tragic grandeur...