Word: gange
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Dates: during 1960-1969
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Angel is a motorcycle bum who has ratted on his gang, the Devil's Advocates, by selling their sordid story to Like magazine for ten grand. The Advocates are angry, of course, so they leap aboard their Harley-Davidsons and go roaring off in search of Angel and Laurie, his little bombshell of a broad, who have hidden out in an abandoned house and taken up housekeeping. Soon, the "straight scene" starts to get to them. Angel shaves off his mustache and even gets a job. Laurie cooks his meals and occasionally cleans the place...
...know what you means, but I don't think it's that way. It ain't that way at all. I mean, this is just people fighting among themselves, you know? They get into arguments and all that foolishness. See, they got these little gangs, they always fighting one another. The guys from the ninth ward got their gang and they always splitting' skulls with the cats in this housin' project here, you know? Now, prob'ly the dude that did all the shootin' was from the projects and seen one of these ninth ward cats who'd just beat...
...crusade overplays black crime and feeds racial hatreds. The protesters cite front-page stories that appeared in the News for six days about a policeman's son fatally stabbed by a Negro; only one inside story appeared when a black man was killed defending his wife against a gang of white youths bent on rape...
...Next, a gang of thieves try to bully Fidelman into art forgery. He proves to be possibly the first copyist in the world with painter's block. But when he finally does manage to complete a counterfeit of Titian's Venus of Urbino, he likes the fake so much that he steals it back from the thieves in preference to the real thing. Skillfully Malamud somehow turns this gesture into a superbly comic act of integrity...
...Wolfe wreaks havoc with the old, comfortable under/over thirty dichotomy. The Electric Kool-Aid Acid Test--published simultaneously last summer with The Pump House Gang, his second collection of essays--established Wolfe as the Boswell of acid beside Ken Kesey's Doctor Johnson. The book's ecstatic, exploding prose reads like the litany of a convert. Yet while he sees Kesey's Merry Pranksters as the hippie prototypes of an increasing search for religious experience in America, Wolfe himself felt no personality change during his contact with them. Unlike Mailer, Wolfe appears to have preserved the distinction between participant...