Word: gange
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Dates: during 1960-1969
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...called the Commission. From this soft center the mob's web spreads to many thousands of allies and vassals representing most ethnic groups. "We got Jews, we got Polacks, we got Greeks, we got all kinds," Jackie Cerone, a member of the Chicago gang, once observed with both accuracy and pride...
...revenue, a rough projection based on admittedly inexact information of federal agencies, is well over $30 billion a year. Even using a conservative figure, its annual profits are at least in the $7 billion-to-$10 billion range. Though he meant it as a boast, Meyer Lansky, the gang's leading financial wizard, was actually being overly modest when he chortled in 1966: "We're bigger than U.S. Steel." Measured in terms of profits, Cosa Nostra and affiliates are as big as U.S. Steel, the American Telephone and Telegraph Co., General Motors, Standard Oil of New Jersey, General Electric, Ford...
...large cathedrals, ornate Spanish architecture, monuments and statuary versus shots of the people gaily swinging through the busy streets of Brazil's modern cities, qua qua. And there to help them is American business, working and playing to build a strong, free Western Hemisphere. The whole gang's on hand: Coke, Ford, General Motors, Shell, Texaco, Esso, Frank Sinatra, even Helena Rubinstein with American beauty standards. But the spoken narration puts this post-card Brazil into perspective, reciting figures on the present-day poverty of the Brazilian people, on the history of foreign profiteering...
...answer to Spitz's comeback. By the time he was 18, he had won 26 national and international titles, broken ten world and 28 U.S. records. Everyone expected him to replace Schollander, who won four gold medals in 1964, as the U.S. team's one-man gang in Mexico City. After his disappointing Olympic performance, he underwent some agonizing reappraisals. "I realized that losing can mean something to you," he reflects. "I decided to leave California and re-establish my goals. I wanted to go through school as somebody, not just an athlete...
...break their identification with the traditional figures of religious art, from Da Vinci canvases to plaster saints. So the disciple of this staging are cast and pressed as street people, marked in dress and aspect by the miles behind and the miles ahead. Together, they resemble both a juvenile gang and a disreputable pick-up football team. Separately, they evoke overtones: St. John (Lloyd Schwartz) suggests a veteran of the Sierra Maestra, while St. Matthew (Michael Dobson) has the face, though not the demeanor, of a Renaissance devotional subject brought to life--the broken image partially and unexpectedly restored. Both...