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Andrew Wyeth painted landscapes of this bucolic stretch of Pennsylvania, but could he ever have imagined these small, warped figures inhabiting them? Brad Whitewood Sr. (Christopher Walken) runs a scuzzy gang that makes millions breaking into company safes and hijacking tractors. His estranged wife and her mother slouch around their dreary house staring at TV. Brad Jr. (Sean Penn) is searching for something worth spending his teenage energy on: maybe his lay-about friends, maybe that cute 16-year-old he's just met (Mary Stuart Masterson), maybe the toxic dream of emulating...

Author: /time Magazine | Title: Cinema: Is This the Family Gun, Dad? At Close Range | 4/28/1986 | See Source »

...main complaint about Big Deal is that for every element that is new, there is something old, something borrowed and something very blue. The plot, about an amiable gang of two-bit black crooks trying to burgle a Chicago pawnshop, is adapted from a 1958 Italian film, Big Deal on Madonna Street. Fosse, who wrote the book, stubbornly resisted advice to simplify the narrative, prune out tasteless jokes involving a urinal and a simulated oral- sex act, add more dance and brighten what he admitted was a "melancholy" ending. The score, too, is recycled: standards from...

Author: /time Magazine | Title: Theater: Slick, Sassy, Borrowed and Blue | 4/21/1986 | See Source »

Cleavant Derricks, who won a Tony in the show-business musical Dreamgirls, finds a kind of heroism as Big Deal's hapless gang leader, a onetime boxer who keeps getting knocked down by life and rising to scrabble anew. His Dreamgirls partner Loretta Devine brings off an almost impossible mix as a housemaid duped into abetting the robbery: she is sexy, touchingly innocent, screamingly funny and, perhaps most astonishing in a feminist era, inoffensively but decisively dumb...

Author: /time Magazine | Title: Theater: Slick, Sassy, Borrowed and Blue | 4/21/1986 | See Source »

...flying colors as they acted out a day in the life of a 10-year-old playing hookey from school. Weaving in and out of an oversized erector set for the stage, the kids and their teachers danced their interpretations of events from a city life, ranging from a gang fight to trying on a new pair of shoes...

Author: By Brooke A. Masters, | Title: Citystep: Dancing Up A Storm | 4/19/1986 | See Source »

...choreography includes kicks, stag leaps and sharp arm movements that create a heavy, staccato feeling. This tone is compounded by the men's ability to dance in unison and in rhythm with the percussion that plays throughout. McKayle intersperses painful expressions of work in the chain gang--throwing fists into the air, clasping hands and stamping feet on the floor--with a flirtatious duet that lightens this somber piece that ends with a gunshot and a man's death...

Author: By Andrea Fastenberg, | Title: Not Ailing | 4/11/1986 | See Source »

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