Word: ganges
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Dates: during 1930-1939
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...November 1932, the North was being treated to an orgy of self-righteousness by a semi-autobiographical film called / Am a Fugitive From a Chain Gang. Same month, the U. S. Supreme Court set aside the Scottsboro verdicts on the ground that the defendants had not been provided with adequate counsel...
...become black symbols of economic bitterness, race prejudice, sectional hatred and political conflict. To the Communist Party of the U. S., which had rushed to the Negroes' side with cash & counsel, the Scottsboro Boys were martyrs to Southern injustice and intolerance. To Southerners, the defendants were a gang of "bad niggers" whose crime was being brazenly exploited by malicious Reds, Jews and Yankees. Responsible Southern sentiment indicated, however, that a fair trial might finally be guaranteed if the defense would abandon its obvious air of partisanship. Apparently in response to this feeling, shortly before the trial the Reds involved...
...Alexandre, hobnobbed with Cabinet Ministers. They knew that a Rothschild had sold to Sacha horses which raced at Long-champ carrying his silks, while Sacha watched "from the box of the President of the Republic." They had heard of Sacha's obtaining for an Anglophile member of his gang an introduction to the Prince of Wales at Biarritz. Finally they saw Sacha spend, and helped him spend, millions & millions of francs for every luxury Europe could offer gay Spender Stavisky...
...class included Lammot, Pierre, S. Hallock and William du Pont, John J. Raskob, Alfred P. Sloan Jr., Ernest T. Weir, Joseph E. Widener, all good haters of the New Deal. In the $5,000 class were Phillips Petroleum Co. and Edward F. ("Let's Gang Up") Hutton...
...appearing in masculine costume. In other respects, Rose of the Rancho has more limited qualifications. Its story of how a U. S. Federal Agent (John Boles), dispatched to investigate the doings of the vigilantes, falls in love with Rosita and eventually helps defend her family hacienda against a gang led by Charles Bickford, belongs to the sorry tradition of pre-War operetta librettos. Spirited but silly, its best moments are those in which hook-nosed Willie Howard, as a Jewish gold prospector from the Deep South, and bespectacled Herb Williams, as a rapacious insurance salesman, engage in vaudeville patter...