Word: gangsterisms
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...original three-act opera Grendel, which premiered at the Los Angeles Opera. And on July 1, he makes his return to the big screen with a score for Michael Mann's Public Enemies. Goldenthal spoke to TIME about the compositional challenges he faced in scoring the life of famed gangster John Dillinger (played by Johnny Depp) and the complexities of composing for various media simultaneously. (See the All-TIME best soundtracks...
...Given the richness of the gangster genre, with so many previous visions and sound tracks, how did you approach the challenge of making your own mark with Public Enemies...
...hard work. [Dillinger] wasn't an easy character to approach. There's something iconic about his presence in American gangster lore, and you also have him as portrayed by Johnny Depp, a very inward guy who offers glimpses of being gregarious. Getting that inner turbulence across was a challenge. The one thing about the script that intrigued me was the collision between the rural Dust Bowl and the new, shining, amazing city of Chicago, with all that amazing architecture. You can almost imagine Steinbeck's America, Grapes of Wrath, in stark contrast with the high fashion of Chicago in that...
...Given how many gangster films turn into thrillers and joyrides, I was surprised by how restrained some of this music was. (Click on the audio player at left to hear clips of the score in TIME's podcast.) Does that tie back to what you called these "stark" times...
...yourself being a gossip gangster for the rest of your life? - Elizabeth Laney, Loveland, Colo. I see myself being a gossip gangster and the queen of all media for the rest of my life. And if I'm lucky, I'll find a way to continue blogging from beyond the grave...