Word: gangsterized
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...convinced that if he had fled to West Germany before the Wall went up, he would now be a millionaire. But he says he is not sorry. "You can't take it with you, and I'm not sure I'd have it, with all the gangster methods of competition." He boasts that when his bridal gowns and pantsuits are sold in West Germany, the stores switch his East German labels for fake Paris labels and double the price...
...specialized in stories about the mob, gambling, crime in general. Sandy drew on his sources in Washington and New York in tracing the role of organized crime in heroin traffic. Says Smith: "The pusher-especially to kids-is lousy, but even he isn't as low as the gangster who finances it. Organized crime is the absolute lowest level of society. With drugs they're making everyone as scummy as themselves...
...mischief. A high school student describes S.D.S. arm twisting. Freelance Writer Hunter Thompson portrays French Ski Champion Jean-Claude Killy as a Chevy promoter (and describes Playboy magazine, which rejected the piece, as "a conspiracy of anemic masturbators"). There is a thoughtful history of Biafra, a long biography of Gangster Mickey Cohen by the late Ben Hecht, even a serialized comic strip. "The first number was supposed to be 80 pages," says Zion, "but we went up to 136 because we just didn't want to kill the stuff...
...great last year. Harvard was undefeated, they were playing Dowling's Invincible the next afternoon, and the Harvard Band was there at Dillon Field House to salute the squad when it came out for its final practice. George Lalich's father had come all the way from Chicago with gangster hats that read RUB OUT YALE, and was passing them...
...Weekend's antecedents in American gangster and romance pictures depended on their characters' moral sensitivity; reaching to the films' violent events, the characters made sense out of them by judging them. The complete breakdown of moral perception in Weekend's characters destroys the continuity and moral progress of the narrative. Godard leaves his characters and story, and so his audience, adrift in a world bursting into flames and rubbish for want of moral individuals to control them. Mickey One expresses the disintegration of individual personality. Penn's post-Wellesian conception of an isolated character becomes quite paranoid...