Word: gangsters
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Dates: during 1990-1999
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...point, Rusty says: "Theres no romance without finance." It's a joke of "Golden Girls"-caliber at best, but the film tries to pass it off as a piercing one-liner. Meanwhile, the story about Walt and Rusty is further marred by a useless and laborious subplot about a gangster trying to find out who has his money...
...times the regulators used diplomacy: one official, objecting to gruesome screams in Murders in the Rue Morgue, suggested "reducing the constant loud shrieking to lower moans and an occasional modified shriek." At other times they took the stern approach, telling Howard Hughes he was forbidden to make the gangster film Scarface. The producer's response, in a memo to director Howard Hawks: "Screw the Hays Office. Start the picture and make it as realistic, as exciting, as grisly as possible." Within four years the Hays system was kaput, and a new, tough Production Code was installed. Overnight, Hollywood movies went...
...though appealing connection among guns, personal power, freedom and beauty. The old western novels established a cowboy corollary to the Declaration of Independence by depicting the cowboy as a moral loner who preserves the peace and his own honor by shooting faster and surer than the competition. The old gangster movies gave us opposite versions of the same character. Little Caesar is simply an illegal Lone Ranger, with the added element of success in the free market. In more recent movies, guns are displayed as art objects, people die in balletic slow motion, and right prevails...
...vintage animated cartoon, a little kitty cat falls into an icy well, and Pluto debates with himself whether to save her. A tiny red Pluto with horns and tail appears on his shoulder and tells him, in the voice of a gangster, "Nah, forget about the cat, whadda you care?" On the dog's other shoulder there appears a tiny Pluto outfitted as the better angel of his nature. She commands Pluto, "Now save that kitty!" Every adult seeing the cartoon years ago recognized the busybody angel's fluting voice as that of Eleanor Roosevelt...
...friendship and whether one should pack Tic Tac or gum on a date are timeless. On a wedding day three pals (Richard T. Jones, Omar Epps and Taye Diggs) flash back to their youth in Inglewood, Calif., courting the girls and stoutly refusing a joint from the local gangster ("What are you all, Muslims or something?"). The movie is aiming more for American Graffiti than American Pie; it dares to hint that a man should strive for humanity, not strutting manhood. And the attractive cast works hard to make the condom gags seem fresh. But this is tired stuff...