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Word: gar (lookup in dictionary) (lookup stats)
Dates: during 1980-1989
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Usage:

Walker does an excellent job of maintaining a powerful presence on stage, even though only public Gar can recognize this presence. His versatility and energy takes over the stage, making up for the occasionally unsure performances by the supporting cast...

Author: NO WRITER ATTRIBUTED | Title: Harvard Theater | 3/13/1987 | See Source »

...flamboyant, energetic private Gar tries to push his other self away from a painful past and into a future of endless possibilities. With his sarcastic and biting wit, he continually pokes fun at the people of Ballybeg, Ireland...

Author: NO WRITER ATTRIBUTED | Title: Harvard Theater | 3/13/1987 | See Source »

Both Walker and Toner are dressed in green sweaters, khaki slacks, and brown shoes. Both speak in a believable Irish brogue. Alone in the bedroom, the two help each other imagine what existence will be like living in Philadelphia with "their" aunt. First, Gar is a star soccer player, then a businessman on his way to becoming president of a major corporation. Next, he's a famous violinist; later he's a powerful U. S. Senator...

Author: NO WRITER ATTRIBUTED | Title: Harvard Theater | 3/13/1987 | See Source »

...Gar's private self and his father (Jamie McInnes) work secretly together to provide continue slapstick comedy. During afternoon tea, Gar predicts every word the elder O'Donnell speaks. When the old man describes his problems with travelling (his bowels cease to function), the unseen alter ego screams "bound by the ass, tethered by the toilet" to the delight of the audience...

Author: NO WRITER ATTRIBUTED | Title: Harvard Theater | 3/13/1987 | See Source »

...Gar's decision to leave his father dominates the conversation between the two Gars and is the underlying source of tension. But this tension is one-sided, as we see only one brief glimpse of what the father truly feels. His face is often too plaster-like to gain any true insights...

Author: NO WRITER ATTRIBUTED | Title: Harvard Theater | 3/13/1987 | See Source »

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