Word: garbed
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Dates: during 1990-1999
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Half a dozen dancers in brightly mottled Mexican-looking garb prance upon the scene, offering contrast to the sea of tiny black jumpsuits. A disc jockey from a local station, his instantaneous live transmission equipment strapped onto his waist, starts to harass the kids with questions about why they are here to see Michelle Pfeiffer. The cattle truck suddenly starts to back up, almost crushing the little girls. They are rounded up by their teacher, who flails her arms wildly in an attempt to rein in the class...
...approach the Hasty Pudding building, the cows, the little gymnastic girls, the dancers in traditional Mexican garb, and the cattle truck arrive first to herald the onslaught of the Woman of the Year. People are packed like sardines outside the Pudding; office workers are standing on the overhang at Holyoke Center and in the little coves above Harvard Real Estate. The sea of black-robed acrobats start to do back-flips to public accolades...
...consecutive Wimbledon crowns (1934, '36) and three U.S. Open titles (1933, '34, '36). The first court star to win all four Grand Slam events (though never in one year), Perry retired in the late 1940s. He co-founded a profitable sportswear company that sold the kind of natty tennis garb he favored...
...also, this month, a Broadway-style quadruple whammy. This week brings A Tuna Christmas (a sequel to the long-running Texas jape Greater Tuna), featuring a disaster-prone production of the Dickens story. In two weeks Patrick Stewart shucks his Star Trek: Generations uniform for the dark garb of Ebenezer Scrooge to give 21 dramatic readings of A Christmas Carol. This is Stewart's third New York Christmas in four years, and each time his show has sold out, leading to successively larger venues. This year he will fill the 1,400-seat Richard Rodgers Theatre...
...from the nonsensical directions written into the script. The presence of the four extras who comprise the "later generation" (Anna Blair, Anataria Marie Brown, Jennifer Joel, and Flora Prescott) is largely inexplicable. For most of the play they sit around and watch the main action, dressed in present-day garb; are they meant to frame the spectacle as a play within a play...